Alternative - Grunge - 90’s

Weezer, with its simple blue cover featuring a group band shot, was not like anything most kids in 1994 had heard before, taking its nerdy cues from strange places the 1950s, comic books, Dungeons & Dragons, the Bible and producer Ric Ocasek, pop auteur of The Cars. Initially released without a single or much notice, the album's sales started slow but eventually reached triple platinum status, spending 78 weeks on the chart and peaking at No. 16 on the Billboard 200 albums chart. It has sold 3.7 million copies in the U.S alone. Local radio play for 'Undone The Sweater Song' prompted an official release and video directed by then rising star Spike Jonze. The video featured the band performing on a soundstage, joined by a wandering pack of dogs. Their next Jonze-directed innovative video for 'Buddy Holly' helped spike the band s popularity and won four MTV video awards. The song rose to No. 2 on Billboard s US Modern Rock chart, one of three top 10 hits for Weezer. The album's esteem has only continued to rise in the decades since its release and its impact has been magnified. Rolling Stone placed the Blue album in both its lists of top 500 albums (No. 297) and top 100 debut albums, where it was No. 35: 'When it came out, Weezer's debut was merely a cool, quirky power-pop album with a couple of hit singles: 'Buddy Holly' and 'Undone (The Sweater Song).' But Rivers Cuomo's band became a major influence to the young sad-sack punkers who today claim Weezer as one of emo's pioneers. Mixing winking deadpan delivery with serious hooks, guarded sensitivity and a deep disinterest in alt-rock's then-roiling culture wars, they came up with a record that's aged much better than a lot of the serious indie-rock of the time.'

The band's sophomore album that gained a cult following and influenced multiple rock acts today - Pinkerton is now available reissued on 120g vinyl with standard jacket and 12x12 insert.

Weezer (The Black Album) was produced by TV On The Radio's Dave Sitek, with whom the band worked for the first time. The album's songs were entirely written on piano by frontman Rivers Cuomo for the first time in Weezer history, creating some of the most satisfyingly awesome songs in the entire hits-filled Weezer catalogue. With band members switching up instruments in the studio, and choruses filtered through Sitek's own encyclopedic musical references of everything from Gorillaz to Can to Pink Floyd, Weezer (The Black Album) is the bold next step in the winning streak of acclaimed albums they've released since 2014.

Widow's Weeds, produced by Butch Vig, is the fifth studio album from Silversun Pickups.

• 18 brand new tracks from The Muffs. • First new album in five years. • Available on CD, Digital, and double-LP. • Vinyl features a laser-etched fourth side. After reissuing The Muffs’ three acclaimed first titles (The Muffs, Blonder And Blonder, and Happy Birthday To Me), it’s only fitting that the brand new Muffs album makes its way out into the world via Omnivore Recordings. No Holiday, The Muffs’ first new album in five years, is a celebration of everything the band has always stood for, and continues to be. Bassist Ronnie Barnett says “I think this new album represents the depth of our band like none of our others. It could have easily been aptly called The Many Moods Of The Muffs. All of our strengths: melody, big rock, sweetness, nastiness . . . All on display and readily apparent. The three of us, after all these years, are a family. The love between us is well represented here. We laid it all out there on this one.” Kim Shattuck (songwriter, guitarist, and vocalist) adds “I wrote the songs between 1991 and 2017. We decided to have a long album and use songs that had been in my arsenal but were weeded out for super concise albums. They were all great songs and we didn’t want them to go to waste. No way!” No Holiday contains 18 tracks on CD, Digital, and a 2-LP set (with laser-etched fourth side). Drummer Roy McDonald: “I think No Holiday is the most unique album we’ve ever made. 18 songs that run the spectrum from full blown productions to intimate home recordings. This was a labor of love for us and I think that comes out in the record. We wanted to create something lasting and special. I, for one, couldn’t be happier with the results.” Welcome back Muffs!

The album arrives following years of anticipation and speculation, which reached a fever pitch as the outfit helmed by Maynard James Keenan and Billy Howerdel launched their Fall 2017 tour with the release of “The Doomed”. The band then ushered in the new year with the debut of the contemplative song, “Disillusioned”.

“Although I’m extremely excited to finally be completing this album after a 14-year hiatus,” explains Keenan. “I’m actually more excited that its intentional release date is serving a greater purpose. The 20th of April is Carina Round’s birthday. She is a dear friend who is extremely difficult to shop for. Pressure off. Of course, I must also note that the potheads are gonna be thrilled that this album comes out on 4-20. May it serve as a glorious soundtrack to accompany all of the giggling and vexing sounds of nibbling and snacking. Fingers crossed, Cheech & Chong will be proud.”

“Demos are these precious ideas that you love in their initial state,” adds Howerdel. “Then you collaborate, invite other ideas, and watch them progress. That’s the dynamics and growth of a great record. I feel we’ve made a great record.”

Eat The Elephant, which was co-produced by Dave Sardy (Autolux, Slayer), is being released in multiple formats including digital, CD, and double gatefold 180 gram vinyl. In advance of Record Store Day, a limited-edition independent retail exclusive version of the LP on white 180 gram vinyl with alternate cover will also be available.

Limited edition of 1,000 numbered copies on double LP

Red colored 180 gram audiophile vinyl.

Razorblade Suitcase: In Addition 20th Anniversary Remastered 2xLP 180 gram black and white swirl vinyl Featuring 4 Rare Bonus Tracks from Razorblade Suitcase era- Old, Sleeper, Broken TV and Bubbles Metallic silver gatefold vinyl with new, re-interpreted art and design, printed inner sleeves and huge poster with complete album lyrics (includes lyrics for 3 songs not available on original album art) Inside of the gatefold includes liner notes from original album producer Steve Albini

- June marked the 20th anniversary of this double-platinum-certified album - Features fan faves “Where It’s At,” “Devils Haircut” and “The New Pollution” - Won 2 GRAMMY® Awards in 1997: Best Alternative Music Album and Best Male Rock Vocal Performance for “Where It’s At” – this was Beck’s first album to be nominated for Album of the Year - Produced by Beck with collaborators the Dust Brothers, Mario Caldato Jr., Brian Paulson, Tom Rothrock and Rob Schnapf - Named Album of the Year by Rolling Stone

Excellent 2008 album from Mr Hansen! Produced by Danger Mouse (Gnarls Barkley). Features vocals by Cat Power on two songs.

- Produced by Nigel Godrich, Sea Change – Beck’s seventh album - peaked at #8 on the Billboard 200 - Widely praised upon release in 2002, Rolling Stone’s David Fricke hailed it as “the best album Beck has ever made” - Will be released as a double LP with a download card featuring 320kbps AAC MP4 audio files of the entire album

20th Anniversary Edition Limited to 2.000 numbered copies

on silver colored double LP 180 gram audiophile vinyl.

Includes a poster, and it's our last copy. OMG, now you just have to snag it!

A 90's Shoegaze Classic!

Unofficial release on blue marbled vinyl.

Green Vinyl.  Limited to 1.000 copies

Vinyl reissue of Mudhoney's classic Superfuzz Bigmuff EP.

For 18 years, Mudhoney has proved to be one of the most consistently electrifying acts to survive the grunge implosion, whatever that was. The wolfish howls of singer Mark Arm, soulful splatterings of guitarist Steve Turner, and frenzied fills of drummer Dan Peters have produced nine albums to date, most of which are considered neo-garage classics.Produced by three notable knobsters, Phil Ek, Johnny Sangster, and Tucker Martine. Sub Pop. 2006.