This deluxe 3-LP set greatly expands Vince Guaraldi Trio’s landmark achievement, which included the Grammy® winning hit “Cast Your Fate to the Wind” (No. 22 on the Billboard Hot 100 pop chart). The set features 16 bonus tracks including alternate takes and previously unreleased music along with new liner notes. Recordings were transferred by Plangent Processes, with remastering by Paul Blakemore. LP lacquers were cut by Kevin Gray at Cohearent Audio & pressed on to 180-gram vinyl at RTI.

Drummer, composer, and producer Tom Skinner who is the drummer for The Smile and Sons of Kemet releases his new album, Voices of Bishara, on November 4, 2022, via Brownswood / International Anthem / Nonesuch. The first recording under Skinner’s own name is a reference to an album he listened to repeatedly during the COVID-19 lockdown: cellist Abdul Wadud’s 1978 solo album By Myself, which was privately pressed on Wadud’s label, Bishara. The common Arabic name has the intention or meaning of “good news” or “the bringer of good news.”  Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. These regular sessions had a simple format: play a classic album in full through the venue’s audiophile system and then have a live ensemble improvise a response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album, Life Time, and the music conjured that night inspired Skinner to write an album’s worth of new music.  Skinner recorded an album of that music with a cellist, bass, and two saxophonists subsequently putting it aside, occasionally bringing it out for some attention in between his many other creative projects. Gradually, the record began to take shape as he embraced the studio recordings and accentuated their idiosyncrasies.

Amy Winehouse's At The BBC features tracks from appearances on Later... with Jools Holland over the years, notably Amy's first performance on the show in 2003 with "Stronger Than Me." Plus, two performances from the Mercury Prize: "Take The Box" from 2004 and "Love Is A Losing Game" from 2007. Available for the first time as an audio-only release. The 3LP set is housed in a triple gatefold package and is pressed on 180-gram black vinyl.

Guitarist Julian Lage discovers new possibilities with orchestration on the follow-up to his acclaimed 2021 Blue Note debut, Squintby, expanding his trio with bassist Jorge Roeder and drummer Dave King with the addition of fellow guitarist (and Blue Note labelmate) Bill Frisell. A View With A Room presents 10 compelling new original compositions by Lage that explore a wide range of guitar sounds and textures with these two distinctive masters seamlessly blending their unique 6-string styles.

“Orange And Blue” was first released in 1994 and is a remarkable testament of Al Di Meola’s unique sense of swing. The legendary guitarist recorded the album on the “Al Di Meola Jazz Guitar”, a custom hollow-body guitar designed in collaboration with Gibson, which allowed him a warmer tone to add to his established signature sound. The album itself is a tasteful collection of explorative compositions, with standout songs such as ‘Chilean Pipe Song’ further cementing Al Di Meola’s growth as a versatile writer and gifted guitarist.

Searching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the "Five Days of Jazz" series in Grenoble, France on March 23, 1978. Waldron was Billie Holiday's final accompanist, played with John Coltrane, Charles Mingus and Jackie McLean, and recorded dozens of solo albums before his passing in 2002. The beautifully designed, deluxe 2-CD set includes photos, an extensive 24-page booklet, essays and interviews.

The members of the legendary original 1990s Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years for 2020’s RoundAgain; they return now with LongGone, featuring six original songs by Redman, due September 9, 2022 on Nonesuch Records.

RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”

This special 60th Anniversary reissue of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra features all-analog re-mastering by Kevin Gray at Cohearent Audio. The package includes Tom Wilson’s original liner notes, plus insightful new essays by jazz historian Ben Young, as well as by Irwin Chusid, who is also a journalist, radio personality, and author.

Four-time GRAMMY nominee, multi-platinum selling saxophonist Boney James’ new album Detour marks his 18th release as a leader. Following the success of his 2020 album Solid (#1 Billboard Contemporary Jazz Chart and #10 Billboard Top Albums), Boney’s new record showcases ten original tracks including “Coastin’” featuring iconic vocalist Lalah Hathaway. Also featured is trumpeter Dontae Winslow, known for his work with the West Coast Get Down.

Hi-Tide presents Charlie Halloran & The Tropicales’ debut album, Shake the Rum, featuring 11 scorching ’50s
numbers from Trinidad, Martinique, Guadeloupe, and Venezuela given the New Orleans treatment. These classic
calypsos, biguines, and waltzes are guaranteed to melt the ice in your Mai Tai and set the vibe at your next pool
party. Indie Exclusive Pink LP. Limited Edition.

Andrew Hill is one of the most distinctive pianists/composers in jazz. Recorded in 1969, it sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Butcher Brown’s new album Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND) will be released on September 16, 2022. The inspiration for this album comes from Tennishu’s solo album Triple Trey released in May 2019. Shortly after, Tennishu and R4ND4ZZO came up with the idea of performing the album live with Butcher Brown and a big band. The performance received such an enthusiastic response from the audience Butcher Brown decided it must be recorded. So, in August of that same year, the band stepped into Minimum Wage Studios in Richmond and began laying down what would become Butcher Brown Presents: Triple Trey (featuring Tennishu and R4ND4ZZO BIGB4ND). The result is a groundbreaking fusion of rap and big band. There’s nothing like it.

That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.

A lifelong fan of Doc Severinsen, trumpeter Steve Patrick steps into the spotlight, leading an all-star big band orchestra on such classics as "Stardust," "Stompin' at The Savoy," and "Unforgettable." A graduate of Indiana University's acclaimed jazz studies program, he has appeared on over 4,000 recordings including those of Carrie Underwood, Marc Broussard, Elton John, Norah Jones, and many more. His live performances include stints with Paul Simon, Aretha Franklin, Larry Carlton, and others.

On March 15, 2018, legendary saxophonist, composer and jazz mystic Charles Lloyd celebrated his 80th birthday at The Lobero - his hometown venue in Santa Barbara, CA. He was joined by an unprecedented group of musicians including guitarist Julian Lage, pianist Gerald Clayton, bassist Reuben Rogers, and drummer Eric Harland. 2 LP set with 28-page 12 x 12" book.

Released in 1964, JuJu is Grammy®-winner Wayne Shorter's fifth album. Celebrating its 50th anniversary, JuJu will be reissued as part of the overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

This Deluxe LP compiles her two new releases "Belladonna" and "Amaryllis."The two suites, which Halvorson describes as “modular and interlocking,” were performed at Brooklyn’s Roulette last fall and were produced and mixed by John Dieterich (Deerhoof).Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers, including Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). The Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date. The suite showcases Halvorson’s many musical influences from jazz, experimental, new music, and beyond.Belladonnais a set of five compositions written for Halvorson on guitar plusThe Mivos Quartet: Olivia De Prato (violin), Maya Bennardo (violin), Victor Lowrie Tafoya (viola), and Tyler J. Borden (cello). It is Halvorson’s first time writing for a string quartet. Mivos’ parts are through-composed and augmented by Halvorson’s guitar improvisations.

Ella Fitzgerald's "Songbook" records - with her peerless renditions of the best songs from iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin - are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song.

Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together. High points include an exuberant "The Jeep Is Jumpin'," an interesting remake of "Mood Indigo," and a few new Ellington pieces. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180-gram vinyl in deluxe gatefold packaging.

Vinyl LP repressing. Recorded in 1964, Herbie Hancock's EMPYREAN ISLES was his fourth album for Blue Note and features Freddie Hubbard on cornet. This release debuts two of Hancock's most treasured songs, "One Finger Snap" and "Cantaloupe Island". Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note titles.

Organist "Brother" Jack McDuff came to Blue Note and made one of the most ambitious albums of his career with Moon Rappin'. Released in 1970, it features five funky, spaced-out originals including "Oblighetto," which would later be sampled by A Tribe Called Quest as the foundation of their classic tracks "Scenario," and "Check the Rhime." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Ronnie Foster caught the ear of Blue Note Records after appearing on Grant Green's album Alive! and made his own Blue Note debut with Two Headed Freap. It includes covers of Al Green and Wilson Pickett along with originals like "Mystic Brew," which A Tribe Called Quest would later sample on their classic track "Electric Relaxation." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

I've been playing since I was 11 years old," says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, "I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how." While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. "I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in." That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. "We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation," Charlie says, further musing, "Musical conversations cancel out complications." Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: "Yellow Moon," "The Darker It Gets" and "I Get Jealous." The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. "The clarinet is the mother of the saxophone," he says. "I started playing clarinet early in life, and this [taught me] the saxophone." Finally, Eighty Nine includes three tracks of Charlie singing. "I always sung, but it wasn't my forte to become a singer," he says. "The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.

For decades, the voice of Jean Carne has been a crucial part of the American musical landscape, tying together generations of Jazz, Gospel, and R&B artists. As a solo artist, backing vocalist, and vocal coach, she has contributed to and collaborated with the likes of Norman Connors, Doug Carn, Dexter Wansel, Phyllis Hyman, Lonnie Liston Smith, Michael Jackson, and many more. At 74, she shows no signs of slowing down. Many will recognize Carne from her output in the early 1970s, alongside her then-husband Doug Carn, for the lauded Black Jazz label. During this era of afrocentric creativity, the duo's output found themselves at the nexus of jazz's tectonic past decade and the fertile ground ahead. Without the constraints of genre or structure, artists such as Carne, on her Black Jazz output as well as on the saxophonist Azar Lawrence's 'Bridge Into The New Age' and percussionist Mtume's 'Rebirth Cycle', began to explore and re-interpolate, continuing the tradition of jazz music as a mode of reinvention, repurposing, and reimagining.

Introspective, Almost-Hallucinogenic 1962 Album a Pinnacle for Both Jazz IconsGuitarist Hall Aids Pianist Evans in Rebounding from TragedyDiverse Set Encompasses Ballads, Waltzes, Hard-Swinging BopDivine Sonics: LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTIBill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Label LP edition bursts forth with brilliant textures, you-are-there realism, and extraordinary tonalities. No other version outside of this analog copy brings you face-to-face with these two jazz giants' sonic communion, a kind of spiritual musical summit on which Evans' deft keyboard touches and Hall's reliably subtle phrasings seamlessly mesh and wonderfully dance, the compositions streaked with natural instrumental decay, full-frequency extensions, and poignant emotionalism that, on this LP, you can feel.While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.In tackling standards such as Rodgers and Hart's 'My Funny Valentine' and the Broadway classic 'Darn That Dream,' as well as the Hall original 'Romain,' the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title. Indeed, even the album's cover - an iconic photograph by Toni Frissell - exhibits the surreal, almost-hallucinogenic properties of the fare contained within.

Albert Ayler - "Revelations: The Complete ORTF 1970 Fondation Maeght Recordings" - Revelations is the first complete, authorized release of the free jazz icon's penultimate concert appearance. It features more than two hours of previously unreleased music from stereo masters recorded by France's ORTF (Office de Radiodiffusion-Télévision Française). The lavish packaging includes a 100-page booklet with unpublished photos, essays by Ayler scholar Ben Young, producer Zev Feldman, and saxophonist Jeff Lederer, and recollections from Ayler's bandmates. 4 CD Digipak.

Two CD set. Live In Paris: The Radio France Recordings includes previously unreleased live performances from 1983-1984 by the famed trumpeter/vocalist Chet Baker. The dazzling performances by his drumless trios are complemented with essays by journalists Ashley Kahn and Franck Bergerot, and Pascal Rozat of INA France. Plus, interviews and statements from Baker sidemen, Sonny Rollins, Archie Shepp, David Murray, Carla Bley, John Zorn, Carlos Santana, Joe Lovano, and many more!

Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

The greatest bassist leader jazz has ever known, Charles Mingus, with his spirited playing and spontaneity, always kept his ears and fingers on the pulse. “Mingus was something else, man,” Miles Davis wrote in his own book. “A pure genius, I loved him.”-This year marks the birth centenary of Charles Mingus, whose musical legacy is still ongoing. From artists like Kamasi Washington bringing him to a new generation, Chrissie Hynde, whose latest album includes a Mingus cover, Candace Springs, Elvis Costello, to Gang Starr sampling him, and Joni Mitchell writing lyrics to his music. -Originally released in 1957 on the Jubilee label, Mingus Three is one of only two albums led by Mingus in a trio setting, featuring pianist Hampton Hawes and drummer Dannie Richmond. This remastered release includes a whole extra disc of previously unreleased outtakes, discovered by chance, from these sessions, as well as liner notes by Charles Mingus’ friend and colleague Sy Johnson.

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh and help launch new careers. In this iteration we find Art Blakey on drums, Thelonious Monk on piano, Johnny Griffin on tenor saxophone, Bill Hardman on trumpet and Spanky DeBrest on bass. -Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. This also marks Thelonious Monk’s only appearance on Atlantic Records. The result is a true meeting of the minds, a beautiful union of Monk’s melodies with Blakey’s unshakable sense of swing. This 65thAnniversary deluxe edition includes an extra disc ofunreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Recorded in May 1964, shortly after Hubbard left Art Blakey's Jazz Messengers, the quintet - with James Spaulding, Ronnie Mathews, Eddie Khan, and Joe Chambers - moves assuredly from free-form playing and modal jazz to the blues and balladry on this 6-song set of originals by Hubbard and Chambers. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

This release marks the first vinyl reissue of the jazz classic by master conguero Mongo Santamaría.  First released in 1976, Sofrito combines jazz with Afro-Cuban grooves, funk and soul. From the simmering blues of “Spring Song” to the devastating bass line of “O Mi Shangó” to the rousing groove of the title track, this set exemplifies the heady ambition of ’70s Afro-fusion at its most soulful. This edition features lacquers cut by Kevin Gray at Cohearent Audio and is pressed on 180-gram vinyl.