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d4vd’s debut album, WITHERED, is one of the most hotly anticipated albums of the year. It completes the story laid out in his 2023 EPs, Petals to Thorns and The Lost Petals, as he continues to articulate a relationship’s ricocheting emotions: the coruscating highs and bleak lows, all set to music that’s intimate, hook-heavy, and refreshingly direct. Created primarily on Bandlab, WITHERED brought d4vd back to the place his music journey began: his sister’s closet, alone with his iPhone. To finish the record, d4vd journeyed to London with a trusted crew of collaborators to create a cohesive, intimate record that’s meant to be listened to sequentially — the songs consumed like chapters — that spotlights his evolution as a deft and dynamic vocalist.

Produced by Gene Walker and mixed by Andy Wallace and Dan Malsch, GHOST’s sixth psalm, Skeletá, is its most unflinchingly introspective work to date. Where previous albums dealt largely with chronicling and/or observing outward facing subject matter—such as IMPERA’s meditations on the rise and fall of empires and its predecessor Prequelle’s evocations of the ravages of era-defining plagues—Skeletá’s lyrics render the distinct individual emotional vistas of each of its 10 songs in one-on-one fashion, at times as if in a dialogue with oneself in a mirror. The end result is a singular collection of timeless, universal sentiments, all filtered through a prism of a uniquely personal point of view.

Side A

1. Peacefield

2. Lachryma

3. Satanized

4. Guiding Lights

5. De Profundis Borealis

 

Side B

1. Cenotaph

2. Missilia Amori

3. Marks Of The Evil One

4. Umbra

5. Excelsis

Billy Idol Dream Into It [Indie Exclusive Purple LP] Dream Into It Billy Idol's ninth studio album and first full-length record in over ten years tells a rich and deeply personal tale of Billy's voyage from young punk rock dreamer to his reset as an MTV leather-gloved icon; then on to all his well-publicized hits highs lows overdoses and accidents; culminating with a devastatingly honest assessment of the price of fame and the wisdom accrued by getting your act together and embracing family. And even though Dream Into It tells a story it is also on a track-to-track level a completely satisfying old school/new school pumping rocking punk/pop odyssey as only Billy Idol and longtime guitarist/collaborator Steve Stevens can create with the able assistance of producer Tommy English and features with rock mavens Joan Jett and Alison Mosshart. Purple Vinyl-retail exclusive

Deluxe version of Kassi Ashton's long-awaited, full-length debut album, Made From The Dirt, now featuring 5 additional tracks, including "Sounds Like Somethin' I'd Say (feat. Parker McCollum)." Made From The Dirt not only showcases Kassi's one-of-a-kind signature style front and center, but it also tells her story so far. She holds nothing back on these ten tracks - from the knockout title track "Made From The Dirt" to the exhale of the finale "Juanita." Spiking her brand of country with rock 'n' roll spirit and unabashed vulnerability, she proudly wears her heart on her sleeve.

Florilegium, the debut album from songwriter Uwade, winds through genre, through death, break-ups, friendship, and failure. Here, she wanted to honor as much of herself as she could — her family and Nigerian heritage, her scholarly tendencies, her background in choirs, the literature that moves her, the melodies of artists like Fela Kuti, Yebba, and Julian Casablancas of the Strokes, who inspired her to start writing songs at the inception of her music-making. Cerebral and curious, each musical moment feels tactile, deliberate, and thoughtful — but also fresh, like something just discovered. A shimmering anthology that finds sweetness and light in sorrow, an amalgamation of disparate influences and recording sessions seamlessly fitting together through her expressive, expansive voice.

Justin Robinson and Rhiannon Giddens are two of the few people from the Black community caretaking Joe Thompson’s family tradition of fiddle and banjo music. For both, their Black banjo bodylands are primarily rooted in the North Carolina Piedmont, where Joe mentored them. The term “Black banjo bodylands” describes the deep connection between banjos, land, and the Black musicians who breathe life into them. Intimate engagements with place, nature, and community around this musical practice are essential to the tradition’s continuation. These bodylands constitute not just the individual player but the traditions, knowledge, and spirit handed down from their musical ancestors. On What Did the Blackbird Say to the Crow, Rhiannon Giddens and Justin Robinson simply chose to bring the places and people—even the season—with them. Heralded by the cawing of American crows, shot through with the round thrumming of periodical cicadas, these recordings represent the music exactly as it is: a particularly engaging piece of a particular place’s rich sonic ecosystem. Giddens and Robinson emphasize place, communication and collaboration in these sound offerings from the North Carolina Piedmont homes of Joe Thompson and Etta Baker and the historic Mill Prong House. This record is not about flashy arrangements, or displays of virtuosity for its own sake. It’s about the relaxed,understated flow that arises at the junction of long friendship, a sense of belonging, and monstrous technical proficiency. We make this music, we make it together, and we make it here. This record refuses to be removed.

Doechii - "Alligator Bites Never Heal" With her GRAMMY Award-winning mixtape "Alligator Bites Never Heal," rapper, singer and visionary artist Doechii delivers 19 tracks following the weekly "Swamp Session" installments that lit the internet on fire with eye-catching visuals and equally compelling bars. The Best Rap Album-winning project, featuring "DENIAL IS A RIVER" and "NISSAN ALTIMA," captures a rare talent in her rawest form yet giving listeners distinct windows into her one-of-a-kind artistry. EXPLICIT

It is with a certain sadness for his fans across mediums that Donald Glover has declared Bando Stone and the New World the last Childish Gambino album. The ostensible soundtrack to a feature-length movie of the same name, the hour-long project includes snippets of dialogue that hint at the film’s apocalyptic subject matter. The fact that the soundtrack is preceding the actual film is part of Glover’s strategy: He wants listeners to work to figure out what they’re listening to. “The soundtrack forces the audience to participate in a way that I don't feel like most things force you to participate,” he says. “It forces you to have an imagination. I already see people being like, 'This is very cinematic, this must be the part that... This feels like a credit sequence.' A lot of stuff feels flat because it's not asking you to participate. Art used to be you had to participate on some level and have some sort of thought process on it. You can't just be like, 'Oh, this is mid.'” Even without the benefit of the full visuals, these 17 tracks make for a satisfying swan song that synthesizes what came before with fresher ideas gleaned from the threshold of finality

Heartbreaker” that “kicks down the door of this next musical chapter” (American Songwriter) and the title track, “Honkytonk Hollywood.” 2 LP set on forest green color vinyl. Limited Edition. Available at Indie Retailers.

CLEOPATRICK’s sophomore album, FAKE MOON, is a daring leap into new territory for the Cobourg Ontario-based post-rock duo. It’s a record spanning time, influence, and sound, blending lo-fi intimacy with grand, expansive production. For Luke Gruntz and Ian Fraser, this album represents more than just a sonic shift – it’s a bold solidification of their ever-developing creative identity. “It’s the most real thing we could have made,” Luke shares. “I wanted to do something beautiful. It’s a struggle between control and surrender, individuality and belonging. It’s where we are now.” Returning refreshed from a creative breather, after the rigorous post-pandemic touring of debut LP BUMMER, the newest record on their own ‘Nowhere Special Recordings’ is a captivating collision of lo-fi grit, quiet introspection, and overt existentialism. Anchored in refusal of conformity, and captured with what can only be described as the audio equivalent to Playstation 1 graphics FAKE MOON navigates power, vulnerability, and the complexities of individual identity with both rawness and precision. Take ‘HEAT DEATH,’ a visceral opener born out of a corrupted demo session that required a painstaking, stem-by-stem rescue operation that Luke describes as “The will of a technocracy foiled by two humble men.” The song channels its own chaotic origins into a sovereign anthem of defiance, daring a universal authority to “take it from me, man.” FAKE MOON is CLEOPATRICK at their most adventurous. Look overhead and perhaps you’ll spot the orbiting influences of Radiohead’s experimental brilliance, the grounded surrealism of Dijon’s Absolutely, or the raw intimacy of favourites since highschool, Califone. “We’re just trusting our creative compass,” they say. “I actually tried to write BUMMER 2 at first – but it immediately felt as if I was putting on the costume of a 23 year old me. It wasn't coming out honest.” When it came to recording, the pair slowed the process and expanded their crew for the first time. Theyenlisted respected guitarist and multi-instrumentalist Mike Haldeman and the expertise of producer Philip Weinrobe (Adrianne Lenker/Hand Habits/Tomberlin). Hunkered down in Weinrobe’s Brooklyn studio, together they shaped the sound from an “as long as it feels good, it sounds good” approach, where the angular recordings from the pair’s instinctive style of throwing up mics and tracking on whatever device was closest formed its foundations. The lyrics on FAKE MOON are as textured and evocative as the album’s sonics, weaving narratives that feel simultaneously intimate and universal, radiating a tension between fragility and defiance, conspiracy and truth. “BAD GUY” wrestles with guilt, while “HAMMER,” written in a parked car during a Toronto heatwave, explores surrendering to authority for a fleeting sense of certainty. “SARAH” digs into the romance of collective identity, while “PLEASE” reflects on the magnetic pull of groupthink, with its robo-folk soundscape eventually degrading into a somber puddle of digital slush. The concepts and characters on FAKE MOON often manifest as something liminal and nonlinear – like snapshots of emotions or thoughts mid-process. “SOFTDRIVE” takes this even further, as the sprawling instrumental is pieced together from years of recovered demos, videos, and voice notes off a once-busted college hard drive. The result of which is a swirling audio collage that somehow possesses both the intensity of a space shuttle launch and the frictionless peace of a near earth orbit – mirroring the duality of the record itself. Nominated for Canada’s 2022 JUNO as “Breakthrough Group of the Year,” CLEOPATRICK have amassed over 100 million streams alongside multiple sell-out tours in the US, UK, and EU, performed at festivals Lollapalooza, Austin City Limits, and Reading/Leeds, and supported Royal Blood on their US tour. With FAKE MOON, the duo ventures deeper inward, crafting a record that reasserts their artistic ability while holding true to themselves. “This album is one of the clearest steps forward we’ve ever taken,” they say. “We’re immensely proud of it, and we can’t wait to share it with everyone.

Lord Huron - "Strange Trails (10th Anniversary Edition)" 10th Anniversary Edition of Lord Huron's seminal, multiplatinum album Strange Trails. Includes re-illustrated artwork and brand-new 20-page comic book, The Yawning Grave. Virgin Music; IMPERIAL; Alternative; Catalog Limited Edition 2 LP set on 180g vinyl, gatefold jacket, printed inner sleeves. EXPLICIT

Bon Iver’s three-song collection SABLE, was a prologue mired in darkness, a controlled burn clearing the way for new possibilities. fABLE is the book that follows. Where SABLE, was a work of solitude, fABLE is an outstretched hand. Radiant, ornate pop music gleams around Vernon’s voice as he focuses on a new and beautiful era.

Forever Howlong is Black Country, New Road’s first studio release since 2022's UK #3 album Ants From Up There, which gave the band their second Top 5 UK album in 12 months alongside their Mercury Prize shortlisted debut For the first time, and follows 2023's Live at Bush Hall, an album The Guardian claimed was a “magical resurgence” in a triumphant five-star review. Now, on studio album three, the band are once again building from the ground up in yet another miraculous musical transformation.

The long-awaited new record was produced by James Ford (Fontaines D.C., Arctic Monkeys, Depeche Mode, Blur) and sees Black Country, New Road settled into a new shape in which vocal duties – and most of the song writing – is split between Tyler Hyde, Georgia Ellery, and May Kershaw. “It created a real through line for the album, having three girls singing," says Ellery. "It's definitely very different to Ants From Up There, because of the female perspective - and the music we've made also compliments that."

Forever Howlong is an ambitious, meticulously detailed record that includes everything from folk to prog via baroque pop and touches of alt-rock – with nods to everything from Joanna Newsom to Randy Newman via Fiona Apple and Janis Ian – yet all the while retaining that unmistakably unique sound that only this combination of musicians can come up with. Although hugely varied and expansive, the album also feels deeply cohesive and focused, as it takes three distinct voices and styles and seamlessly intersperses them into a new collective sound.

Written and recorded over 20 days, ‘Who Believes In Angels?' is a collaborative studio album between Elton John and Brandi Carlile. It mixes Elton-led songs and Brandi-led songs, with long term collaborator Bernie Taupin and Brandi both contributing lyrics, and producer and co-writer Andrew Watt acting as the producer, mediator and creative conduit. They are backed by a world class band of musicians comprising of Chad Smith, Pino Palladino and Josh Klinghoffer.

Djo, the musical project of Joe Keery, returns with his third studio album, 'The Crux' —a deeply reflective and sonically adventurous body of work. Following the massive success of his single “End of Beginning” which topped the Global Spotify chart and amassed over 1.5 billion streams worldwide, 'The Crux' was crafted at the legendary Electric Lady Studios in New York. Drawing inspiration from the turbulence and growth of navigating one’s 20s, the album explores themes of self-discovery and connection, all wrapped in a narrative that serves as a love letter to those who matter most to Djo. Aptly titled 'The Crux', this album captures a moment suspended between the past and an undefined future.

2004 Album Reimagined as Originally Intended on Black Vinyl 2LP! Features Resequenced Audio, 3 Additional Tracks, 4 Remixes & Updated Vocals! In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. - The Complete Dirty South is a band-led rework of the original album. Principal member Patterson Hood took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals.

Ariana Grande - eternal sunshine deluxe: brighter days ahead - Vinyl 2 LP

eternal sunshine deluxe: brighter days ahead - with nine bonus tracks, including six new songs. 2 LP translucent marble vinyl, gatefold jacket, 24-page booklet featuring lyrics and new photos.

Widely regarded as “one of the best songwriters of her generation” (Rolling Stone), Lucy Dacus returns with Forever Is A Feeling on 3/28. Following a career defining run with boygenius that earned her three GRAMMY® Awards, her fourth solo studio album explores falling in and out of love, the tumult of desire, and larger than life romance. Across 13 tracks that range from lush arrangements to simple declarations, Dacus makes a serious inquiry into what it looks like to dedicate one’s life to true love, and a valiant attempt to capture the elusive, fleeting feeling of forever.

For nearly four decades, Alison Krauss & Union Station have upheld their legacy as one of the most influential and widely celebrated acts in bluegrass and roots music. Krauss is a 27-time Grammy winner and was inducted into the Bluegrass Music Hall of Fame in 2021. Known for an immaculately crafted but endlessly surprising sound that transcends the boundaries of roots, country, rock & roll, and pop, Alison Krauss & Union Station are making their long-awaited return with Arcadia – their first LP since the 2011 masterpiece Paper Airplane—a critically lauded, multiple Grammy Award winning LP that debuted at #1 on the Billboard Country, Bluegrass, and Folk Album charts. This spring, they will embark on a 73-date tour of North America, their first since 2015. Arcadia was produced by Alison Krauss & Union Station with additional production by 10-time Grammy winning producer Gary Paczosa, who has worked extensively with the band. The players – Alison Krauss (fiddle, lead vocal), Jerry Douglas (Dobro, lap steel, vocals), Ron Block (banjo, guitar, vocals), Barry Bales (bass, vocals), and welcoming highly acclaimed and celebrated tenor vocalist Russell Moore (guitar, mandolin, lead vocal) as the newest member – are five distinct personalities, each of whom also enjoys a flourishing solo career. But when they come together, they transform into a peerless group of musicians who share a singular focus.

You settle into the worn seat of a subway car barely holding together, graffiti scrawled across its walls beneath flickering ads for bionic enhancements and synthetic upgrades. A mechanical voice crackles through the loudspeaker: “The next stop is… your tiny, stupid little worthless life.” This is Metro—a dark, gritty ride through rebellion, duality, and self-discovery… and The Blue Stones’ boldest album yet. The Blue Stones—vocalist and guitarist Tarek Jafar and drummer Justin Tessier—formed during their university days and inspired by the freedom of creating without boundaries, grew from playing small-town bars to headlining iconic venues like The Troubadour in Los Angeles, Electric Ballroom in London, and The Danforth Music Hall in Toronto. Along the way, they’ve racked up over 300 million streams, three JUNO nominations, and radio hits like Shakin’ Off the Rust, which topped Rock charts in Canada and hit #5 on U.S. Mainstream Rock. METRO – the band’s fourth full-length LP – takes that ethos even further. The album follows a protagonist navigating a dystopian subway, confronting a personified version of their darker side—a manifestation of their buried need for authenticity. “The subway is a metaphor for the conflict we all face,” says Tarek. “It’s about balancing societal expectations with your own self-serving desires.” The loudspeaker’s voice, eerie and detached, becomes the protagonist’s inner critic, a manifestation of societal pressure that feels alien yet inescapable. Tracks like “Your Master” and “Kill Box” burn with snarling defiance, fusing raw distorted guitar grooves with a devil-may-care energy. The baritone guitar, a new instrument for Jafar, lends to the album’s swaggy, groovy heaviness. This is evident on songs like “Come Apart,” where a heavy riff with beautiful simplicity meets brash, punchy drums with a swing groove feel—a combination signature to The Blue Stones. The opening lines of the chorus, “Woke up with a headache // Don’t know how I’m gonna work today”, offer a poignant take on today’s hyperconnected, chronically online world. Then there’s “Happy Cry,” a moment of catharsis and raw emotion. With its live-off-the-floor energy and soaring vocals, it bursts with triumphant release, capturing the thrill of starting over and embracing growth. The Blue Stones’ sound—a melting pot of rock, blues, hip-hop, and pop—has always set them apart. They thrive on contrasts and a controlled sense of chaos, both on record and during their awe-inspiring live shows. “We’ve always wanted our music to empower people,” says Justin. “This record is about reconnecting with your authentic self—the part of you buried under everyone else’s expectations.” With METRO, The Blue Stones deliver their most unfiltered, unapologetic work yet. Step aboard. The next stop is whatever you make it.

Sierra Ferrell’s 4x GRAMMY award-winning album, Trail Of Flowers, now on Limited Edition “GRAMMY GOLD” color vinyl. One of the brightest young luminaries in roots music today, Sierra Ferrell brings a dose of beautifully strange magic to everything she touches. Trail Of Flowers is brought to life with producer Eddie Spear (Zach Bryan, Brandi Carlile, Chris Stapleton) and additional production by Gary Paczosa (Alison Krauss, Dwight Yoakam, Gillian Welch).

'Glory' by Perfume Genius has a pristine surface and a tender, roiling underside. Mike Hadreas' seventh album is muscular, filled out by his partner in life and songcraft Alan Wyffels and longtime producer Blake Mills alongside the fiercest band Perfume Genius has ever assembled: guitarists Meg Duffy and Greg Uhlmann, drummers Tim Carr and Jim Keltner, and bassist Pat Kelly. These players marshall their power, and Hadreas his macabre imaginings and gallows humor, to humane ends. Perfume Genius pries open a mildewed den full of alienation, longing and desire and let's it bask in the sunlight.

Mumford & Sons are back with their 5th studio album Rushmere, produced by Dave Cobb (Brandi Carlile, Jason Isbell, Sturgill Simpson). The 10 track album is a triumphant return to form, with upbeat foot-stompers Rushmere, Truth, & Caroline alongside tender ballads such as Monochrome & Where It Belongs. Available on 12" vinyl, CD & cassette via Glassnote Music.

To celebrate the 50th anniversary of Venus and Mars, this special vinyl edition was cut at half speed using a high-resolution transfer of the original master tapes from 1975 by Miles Showell at the legendary Abbey Road Studios, London. This meticulous reproduction of the original UK pressing includes recreations of the original "Venus and Mars are alright tonight" circular sticker and "comparative sizes of sun and planets" bookmark sticker as well as two posters with photography by Aubrey Powell and Sylvia de Swaan.

Celebrate 50 years of RUSH with their first-ever complete career anthology. 50 tracks on 4 CDs and 7 180g LPs featuring selections from every studio, live, and deluxe reissue album. Igniting the experience are the very first two singles, “Not Fade Away” and “You Can’t Fight It,” remastered & reissued for the first time ever. The collection showcases 7 unreleased tracks, including five 1974 live selections with the non-album songs “Bad Boy” and “Garden Road,” a Vault Edition of “The Trees” with an alternate guitar solo, and the very last performance with Neil Peart in Los Angeles on August 1, 2015, of “What You’re Doing / Working Man / Garden Road.” The 104-page hardcover book features new Hugh Syme 50th anniversary artwork along with stunning new song illustrations, photos, and liner notes by renowned rock journalists David Fricke and Philip Wilding. Exclusive to this Super Deluxe are 20 lithos illustrating one song from each studio album and a second 100-page hardcover book The Fullness Of Time, a brand-new graphic novel by Fantoons storytelling a conversation by Geddy & Alex reminiscing on the trials, tribulations, and successes recording each studio album and how the band’s sound evolved with contributions from the producers and engineers the band worked with on their studio albums.

For more than 25 years, My Morning Jacket have achieved an incredibly rare feat in rock & roll, upholding a long established cultural legacy while sustaining the curiosity and creative hunger of their earliest days. For their 10th studio album, the band teamed up with GRAMMY Award-winning producer Brendan O’Brien (Springsteen, Pearl Jam) for what may be their most masterfully realized work yet, once again expanding the limits of their sound while elevating their artistry to unprecedented heights. Available on "Blue Iceberg" color vinyl with custom inner sleeve and 4-page insert. Limited Edition. Indie Exclusive.

After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (& sad women), marks the band's first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined it's predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.For Melancholy Brunettes follows a transformative period in Zauner's life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. "I felt seduced by getting what I always wanted," she says. "I was flying too close to the sun, and I realized if I kept going I was going to die."The plight of Icarus and other such condemned ones lends For Melancholy Brunettes it's most persistent theme, the perils of desire. Like light dispersed, it's spectral parts take the album's characters through cycles of temptation, transgression and retribution. On "Orlando in Love" - a riff on John Cheever's riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo - the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren's call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). "Honey Water" plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating it's own demise.Sadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life's essentially tragic character occurs with sensitivity to it's fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record's many episodes, they sound most saliently on it's final song, "Magic Mountain," an engagement with Thomas Mann's famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.

A Boy Named Goo is the Goo Goo Dolls fifth studio album, originally released on March 14, 1995. Driven by the smash hit “Name”, the album catapulted the band to mainstream success, and it was certified double platinum within a year of the release. The album also included the singles “Flat Top”, “Naked”,“Only One”, and “Long Way Down”.

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through it's Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better.What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on.On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture.Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

Vinyl LP pressing. 2025 release.

NEAL FRANCIS / RETURN TO ZERO Acclaimed singer-songwriter-pianist Neal Francis is ringing in the new year with his eagerly anticipated third studio album, Return To Zero. Francis' first full-length studio effort in more than three years and most extravagantly realized work so far, Return To Zero sees the Chicago-based singer-songwriter-pianist creating a beautifully strange entangling of timeless rock 'n' roll and '70s-era dance music. Merging supremely heavy guitar riffs with lush and pulsating grooves, Francis constructed the album sans digital programming in keeping with his long-standing devotion to all things analog. The album is heralded by today's premiere of the gorgeously sprawling power pop anthem, "What's Left Of Me," available everywhere now. A piercingly candid reflection on life on the road co-written with chart-topping Nashville-based songwriter Chris Gelbuda (Sabrina Carpenter, Meghan Trainor, Zac Brown Band). ATO RECORDS

New "Solar Garlic" 4-LP colored vinyl pressing
with extensive photo book.

A Live One, Phish's first live album,
originally released by Elektra in 1995; certified
g o l d and remains Phish's best selling album.

The band produced the album i n 1995 with Ed
Thacker and his team of engineers at Bearsville
Studios and was recorded by Paul Languedoc on
multitrack DA-88 DTRS digital tapes.

Lacquers cut from t h e 1/2" flat masters by Chris
Bellman at Bernie Grundman Mastering.

Caylee Hammack will release her 2nd full length album that will feature 13 new tracks including the already released songs- “The Hill” & “Breaking Dishes”. She co-wrote all the songs on the new album and has been featured on several tracks with other artists including- Ashley McBride, Miranda Lambert, and others. She has been nominated for the ACM-New Female Artist of the Year.

Grammy Award-winning singer/songwriter Jason Isbell is one of the most respected and celebrated artists of his generation. The North Alabama native possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty. After releasing multiple albums and touring the world with his band, the 400 Unit, Isbell will begin 2025 with a change of pace. He will hit the road on his own, performing solo this winter and early spring at historic music venues across Europe and the US. In conjunction with these much anticipated shows, Isbell will be releasing a new album featuring only his voice and an acoustic guitar, an all-mahogany 1940 Martin 0-17. These recordings further demonstrate his pure talent as a songwriter and musician. Produced by Gena Johnson and Jason Isbell, and recorded at Electric Lady Studios in NYC, ‘Foxes in the Snow’ is set to be released on March 7th.

Benmont Tench - "The Melancholy Season" [Transparent Blue LP] BENMONT TENCH's new album, The Melancholy Season, is his second solo record after four decades at the keyboards in Tom Petty and the Heartbreakers. Released on Dark Horse Records, The Melancholy Season is Tench's true arrival as a singer-songwriter, without compromise or doubt. It was produced by Jonathan Wilson (an acclaimed singer-songwriter and touring guitarist for Roger Waters), Father John Misty and Margo Price. The album's core studio band included Dawes' Taylor Goldsmith on guitar, Sebastian Steinberg of Soul Coughing on bass and Wilson on drums, among other instruments, with contributions from Jenny O. and Sara Watkins. Tench "couldn't be happier" about finding a home for The Melancholy Season at Dark Horse Records, saying it's "An emotionally resonant label for me. And they have George's music, Cat Stevens, Joe Strummer - these are writers. To be in that company, it's perfect." Available on transparent blue vinyl. Limited Edition. Indie Exclusive.

The highly anticipated final Juice WRLD album has arrived. The Party Never Ends as Juice rounds out his legacy with a final gift. The Party Never Ends finds Juice diving down different alleyways of his colorful, complex psyche. With features from Eminem, Fall Out Boy, Nicki Minaj, Offset, The Kid LAROI, and production from benny blanco, Nick Mira, and Cashmere Cat among many more collaborators, the posthumous set is a fitting celebration of a once-in-a-generation artist. See the tracklist below.

"Fortnite Remix Chapter 2" - Various Artists [Blue LP] A Fortnite compilation vinyl featuring all 4 artists tied to the Fortnite Chapter 2 Remix - Snoop Dogg, Eminem, Ice Spice, and Juice WRLD. The vinyl will feature 2 songs from each artist. Limited Edition.

Noah Kahan - Live From Fenway Park - Vinyl 2 LP

Grammy-nominated Noah Kahan celebrates an incredible season of accolades by releasing a live album of his high point thus far - selling out 2 nights at his New England hometown Fenway Park, which saw over 70,000 fans in attendance with special guests Gracie Abrams, The Lumineers and more! Noah debuts many songs on tour as he writes towards his next album. This live album sees the first release of "Pain Is Cold Water," a song so new that Noah hasn't even recorded it yet. 2 LP set.

Side A:
1. Dial Drunk
2. New Perspective
3. Everywhere, Everything (feat. Gracie Abrams)
4. Forever

Side B:
5. Pain Is Cold Water
6. Maine
7. Paul Revere
8. All My Love
9. Your Needs, My Needs
10. You’re Gonna Go Far

Side C:
11. Homesick
12. Growing Sideways
13. She Calls Me Back
14. Orange Juice

Side D:
15. Northern Attitude
16. Mess
17. The View Between Villages
18. Stick Season

SPECIAL NOTE

Some of the availability of this release may not be available on street date, but should ship within a few weeks following... Please be advised.

Indie/D2C Exclusive Recycled Clear Vinyl Oceanside Countryside is the latest of Neil Young's great “lost” albums to be released as part of his Analog Original Series. The album was recorded from May to December 1977, preceding the release of Comes A Time in 1978. The two albums share the same country/folk sound, and three songs (“Goin’ Back”, “Human Highway” and “Field of Opportunity”) appear on both albums. The vinyl release of Oceanside Countryside includes some tracks that are on the CD of the same name in Neil Young’s Archives Vol. III. However, this track list is how Oceanside Countryside was originally planned to be released. Recorded on tape, these are the original mixes done at the time of recording. All the songs on “Oceanside” are performed solo by Neil Young. On “Countryside,” Young is joined by a band of his friends: Ben Keith (Steel Guitar), Rufus Thibodeaux (fiddle), Karl T. Himmel (drums), Joe Osborne (bass). On “The Old Homestead” Tim Drummond plays bass and Levon Helm plays drums. “Pocahontas” is Young solo. Please note that while the songs on Oceanside Countryside appear on Archives Vol.III, the versions are not always the same and the track list is the running order for the original Oceanside Countryside album. On this analog original vinyl release, the versions of “Lost in Space,” “Captain Kennedy” and “The Old Homestead” are from Hawks & Doves in 1980. “Sail Away”, “Goin’ Back”, “Human Highway”, “It Might Have Been”, and “Pocahontas” are the same versions as on Archives Vol. III  in digital. “Field of Opportunity” and “Dance Dance Dance” are the original versions that have Young on backing vocals instead of Nicolette Larson as they appeared on Archives Vol.III.

TRACKLIST: Side A: Oceanside 1.       Sail Away 2.       Lost in Space 3.       Captain Kennedy 4.       Goin’ Back 5.       Human Highway Side B: Countryside 1.       Field of Opportunity 2.       Dance Dance Dance 3.       The Old Homestead 4.       It Might Have Been 5.       Pocahontas

ARCHITECTS are back and charging forward in the heavy rock world with their latest sonic masterpiece, The Sky, The Earth & All Between. After two relentless years on the road—featuring massive European summer tours with Metallica and top billing at festival stages across North America, from Sonic Temple to Aftershock—the band has returned to the studio to deliver their most powerful collection of songs yet.With the creative force of Jordan Fish (Bring Me The Horizon) behind the boards, ARCHITECTS have captured the explosive energy of their live performances while elevating their signature melodic edge. This album reflects the perfect blend of raw intensity, emotional depth, and innovative production. Already making waves, singles like “Curse” and “Seeing Red” have drawn rave reviews from Metal Injection, Alternative Press, and Loudwire. Idobi crowned “Seeing Red” an “anthem powerhouse,” and the track’s global success landed it in the top 10 of charts worldwide—amassing over 45 million streams along the way. The Sky, The Earth & All Between builds on the momentum of their 2022 album, the classic symptoms of a broken spirit, which stormed to the top of the UK Rock and Metal Charts. With this new release, Architects are once again set to push the boundaries of modern heavy music, cementing their status as one of the most exciting and essential bands of our time.

Limited clear vinyl LP pressed at 45rpm. Arriving as a standout group in the current American shoegaze renaissance, Phoenix four-piece Glixen transcend all expectations of what the genre should currently look and sound like. The band creates a profoundly heavy sonic experience with their music, paying respects to their predecessors but resulting in something completely modern. An amalgamation of influences like Björk, My Bloody Valentine, Godflesh, t.A.T.u, and Hum, their sound crawls with intensity and introspection to contrast lead singer Aislinn Ritchie's lulling vocals.

Spiritbox’s sophomore album, Tsunami Sea, builds on the band’s massively successful 2021 debut album, Eternal Blue, which topped charts and dominated critic’s year-end lists, and 2023’s Fear of Fear EP, which earned the band two consecutive Grammy nominations. The album, co-produced by Spiritbox’s Mike Stringer and Dan Braunstein, features the band’s signature visceral sound, elevated to new heights of intensity and musicality highlighted in singles “Soft Spine” and “Perfect Soul.”

Two Sasamis exist in harmony. First is Sasami Ashworth, the conservatory-trained classical French horn player, producer, and composer—an artist with a studious approach to craft. And then there is all-caps SASAMI, the fearless performer and protagonist of her three increasingly audacious albums. For Blood On the Silver Screen, these two sides fused for her most epic and realized music to date: the all-out Sasami pop record. After establishing herself with the poised melancholia of her eponymous 2019 debut, Sasami embraced volume and control on 2022’s Squeeze—touring with a metal band—but her goal on Blood On the Silver Screen was to speak her truth with conviction by singing. Working with co-producers Jenn Decilveo and Rostam, with Sasami as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, sex, power, and embodiment. “Pop music is like fuel,” Sasami says. “It’s just invigorating.” Across Blood On the Silver Screen, Sasami’s lyrics narrate the ecstasies and agonies of being “a modern lover,” she says—writing about “big city dating endeavors” even as she found herself relocating, on a whim, from Los Angeles to rural Northern California. The anthemic “For the Weekend” explores “modern intimacy, where you can get deep without the relationship being defined,” while the irrepressible “Just Be Friends” bottles the dizzying longing that can overtake those in-betweens. “I wanted to go all out with this album,” Sasami continues. “I wanted to, in my tenderness and emotionality, have the bravery to undertake something as epic as making a pop record about love. I hope it makes people feel empowered and embodied, too. It’s important to not box yourself in.”

Celebrate 20 years of Eminem's Encore with this exclusive 20th Anniversary Edition, featuring hits like "Mockingbird," "Like Toy Soldiers," and "Just Lose It." Pressed on stunning royal blue colored vinyl, this limited release is a must-have for fans and collectors, bringing a fresh spin to an iconic hip-hop era. 2 LP set.

Lola Young - "This Wasn't Meant For You Anyway" [Clear LP] "Here is my first-born child, a fuck you to all my exes, and basically me just trying to figure out some shit openly and honestly on record. First of many and if you don't like it, then this wasn't meant for you anyway." - Lola Young This Wasn't Meant For You Anyway marks a remarkable shift in Lola's sound as an artist. Recorded in LA and produced by friend and collaborator Solomonophic (Remi Wolf, BROCKHAMPTON, Dominic Fike), This Wasn't Meant For You Anyway is a multi-faceted, fearless concept. As irresistible as it is unexpected, Lola's album is crackling with kinetic energy and lyrically fueled by rage, passion, narrative flair and comedy derision. A contemporary break-up album, This Wasn't Meant For You Anyway encapsulates the sound of what it means to be young and in constant romantic chaos. Released in June 2024, the album is now available on clear vinyl. Limited Edition. Indie Exclusive. EXPLICIT

Billboard Heart, the new album by Deep Sea Diver, immediately puts the Seattle band in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It's their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson's conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson's galvanizing dinner with Park, Deep Sea Diver issued it's third album, 2020's Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea's impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair's songwriting partnership. From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It's a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. "Emergency" links hardcore's vim to electroclash's instant allure with Dobson's captivating vocals and guitar work in the spotlight. Tender and vulnerable, "Tiny Threads" is a sweeping anthem for anyone trying to hold anything together-life, love, themselves. "If it haunts me, let it haunt me," Dobson sings softly over a stillness framed only by bass and noise. She let's her guitar careen into feedback, then steadily sculpts it into something tuneful. It's a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large.Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.

California-bred singer-songwriter, Jillian Rose Banks, aka BANKS, crafts moody, alternative pop with shades of contemporary R&B. Emerging in the early 2010s with a handful of downtempo, alt-R&B tracks, BANKS created a signature sound that helped build a cross-genre audience. Her critically acclaimed and gold-certified debut album, Goddess, featured songs like “Before I Ever Met You,” “Warm Water,” and “Fall Over,” as well as collaborations with producers Justin Parker, Shlomo, and Totally Enormous Extinct Dinosaurs. The album peaked just outside the Top Ten on the Billboard 200. In 2016, BANKS released her highly anticipated sophomore album, The Altar, which featured singles “Fuck with Myself,” “Gemini Feeed,” and “Mind Games,” and peaked at number 17 on the Billboard 200. BANKS returned in July 2019 with her third studio album, III, which featured her synth-heavy single “Gimme.” Additional contributors included Francis and the Lights on “Look What You’re Doing To Me” and producer Paul Epworth (Adele, Rihanna) on “Hawaiian Mazes.” She released a short EP entitled Live and Stripped in 2020, followed by her 2022 album Serpentina, which BANKS recorded amid the pandemic during months of isolation and is tied to themes of shedding old skin and embracing the new. BANKS’s artistry stands out through the rawness and vulnerability that shines earnestly through her music. With so much success under her belt already, BANKS is looking forward to an exciting future ahead. BANKS’ latest singles “Best Friends” and “I Hate Your Ex-Girlfriend” will be included on BANKS’ upcoming fifth studio album entitled, Off With Her Head, for which she states, “In many ways, it’s a big sister album to Goddess. After a decade apart, I’ve reunited with the core musicians and producers who helped shape my debut. At the same time, it’s something entirely different— I’ve grown so much as an artist and a person, and the journey is documented in all these sounds.” Off With Her Head is set for release on February 28, 2025.

Only five days after releasing "Outer Peace," Chaz posted a photo of a cassette titled "SOUL TRASH V1" on his Instagram with Dropbox link to what appeared to be a mixtape. Later, the post and link were taken down and Soul Trash was released digitally on October 29th, 2019. 5 years later, on February 28th, the mixtape is being released on vinyl for the first time.

Brat green double vinyl. Gatefold with inner and outer die cut hole on both sleeves. Lyric book. new gatefold image. sticker inside shrink wrap.

Hailing from northeast England, Fender is a British songwriter with a penchant for euphoric, hard-hitting guitar anthems. Bursting onto the scene with a BRITs Critics’ Choice win in 2018, his first two albums, Hypersonic Missiles (2019) and Seventeen Going Under (2021), both debuted at Number 1 on the UK’s Official Albums Chart and earned Platinum status. With over two billion global streams, Fender has headlined stadiums in Newcastle, toured arenas across the UK and Ireland, and headlined at major festivals like Reading/Leeds, while also supporting icons like The Rolling Stones and Bruce Springsteen. If Seventeen Going Under – Fender’s sophomore album and second to debut at Number 1 on the UK’s Official Albums Chart – was his “coming of age” album, his forthcoming work is his next step – colorful stories and observations of everyday characters living their everyday, but often extraordinary, lives. Sam produced People Watching alongside bandmates Dean Thompson and Joe Atkinson over two years, working first in London in 2023 with producer Markus Dravs, and then earlier this year in Los Angeles with Granduciel. See below for track listing.

"So Close To What” is the third studio album by Tate McRae. This LP represents the journey of growing up when the road ahead feels infinite and the destination increasingly elusive.

EMPIRE, the nation's leading independent record label, recently teamed up with the NBA 2K video game to provide the soundtrack for Season 2 of it's series in October 2024. The soundtrack was a natural pairing of the two iconic Bay Area based companies to push culture forward through music, sports, and gaming. The 2 LP Box set, which includes music from the likes of Larry June, Key Glock, Money Man, LUCKI, Asake & Central Cee, 310babii and more is housed in a premium box with glossy, hardwood floor print on the outside, and a basketball textured inner box will also include a mini-satin championship banner, a custom basketball keychain, and virtual currency for in-game purchases.

“Powerhouse Duo” (TODAY) The War And Treaty return with their new album Plus One. The album includes "Can I Get An Amen", "Leads Me Home, "Stealing A Kiss", "Called You By Your Name" and “Carried Away” "Every song on this album deals with some aspects of him and some aspects of her and some aspects of us. The ideal of sharing space with someone can be challenging no matter how short or long. We’ve had moments of doubt, moments of clarity, moments of regret and moments of solid faith." - Michael and Tanya

Short n’ Sweet showcases the scintillating spirit of Sabrina Carpenter, the pocket-sized popstar with a larger than life artistic presence. One gold album & multiple platinum singles later, it’s no wonder that “Espresso,” the debut single from the forthcoming album, has it all: lyrics that make you giggle and blush and songwriting that makes you wish you’d thought of it first. Deluxe Edition CD featuring 5 bonus tracks with 24-page booklet included.

After an amazing summer of festival performances, and award shows, Tyla is back with a deluxe vinyl version of her debut album, TYLA. TYLA + will be released on 2/14/25 and will include 3 new tracks. "PUSH 2 START" is our focus track that is a record with Tyla's signature Pop-piano sound, "TJO", (which is a South African slang term) is a super piano cultural song, and "BACK TO YOU", which is a more R&B leaning song. This brand-new vinyl version will be pressed on coke bottle clear vinyl with etchings near the run out groove on two sides.

Alessia Cara - "Love & Hyperbole" / Grammy Award-winning Canadian pop star Alessia Cara releases her 4th studio album, Love & Hyperbole. Alessia has amassed over 12.5B streams across her career and has also secured the #1 spot at U.S. Pop Radio across 3 different singles!