Super Deluxe contains 8 LPs on 180-gram heavy vinyl showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Also included is a first-ever 7-inch for “Endless, Nameless” with B-sides “Even In His Youth” and “Aneurysm,” and a 40-page hardcover book with unreleased photos.

Box set with hardcover book containing both LPs on clear red vinyl, poster, and two bonus 7"s. Father John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles "Funny Girl," "Q4," "Goodbye Mr. Blue," and "Kiss Me (I Loved You)."

Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career.

"I have been an Ornette Coleman fanatic going back to the late-60s, in fact going back to the time the records in this set were originally recorded for Blue Note," says Harley. "Turns out Don Was is as big an Ornette fan as me, so it was only a matter of time before we put our heads together to plan this boxset. I love those early records Ornette did for Atlantic. who doesn't? But I feel that Ornette's later recordings for Blue Note are every bit as vital and important to gain a more complete understanding

"It is true that the most shattering of his wails could wake the proverbial dead," writes Conrad in his essay. "But something happened to Coleman's tone while he was woodshedding those two years. In the Golden Circle it is still penetrating but more pure. His cries are even more vocal, more human. His control of microtones provides new resources of expression. He can now make the same note sound ecstatic or despairing or anywhere in between, through microtonal nuance."

At The `Golden Circle' Stockholm, Vol. 1 (1965)

At The `Golden Circle' Stockholm, Vol. 2 (1965)

In late 1965, Coleman embarked on his first tour of Europe with a new trio featuring David Izenzon on bass and Charles Moffett on drums. Two nights of the trio's two-week engagement at the Golden Circle (Gyllene Cirkeln) in Stockholm, Sweden were recorded and released across two volumes the following year. The freewheeling live sets were electrifying and found the saxophonist jumping off into sound explorations on the violin and trumpet as well.

The Empty Foxhole (1966)

Coleman's first studio recording for Blue Note was his first studio album in four years and he once again confounded expectations by selecting his 10-year-old son Denardo Coleman to play drums on the date alongside bassist Charlie Haden. The music is raw and exploratory with solemn ruminations and bursts of unbridled joy. The striking album cover features a painting by Ornette himself.

New And Old Gospel (1967)

Coleman's next appearance on a Blue Note album came in a rare sideman role on this explosive session led by alto saxophonist Jackie McLean. McLean had already waded into the avant-garde on prior Blue Note dates like One Step Beyond and Destination. Out!, but he went even deeper here with Coleman featured entirely on trumpet along with LaMont Johnson on piano, Scott Holt on bass, and Billy Higgins on drums. Following an extended suite by McLean on Side 1, the second half of the program featured two Coleman c

New York Is Now! (1968)

Love Call (1968)

On April 29 and May 7, 1968, Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note. The alchemy of this group, which combined Coleman's first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.

BLUE NOTE RECORDS - ROUND TRIP - THE COMPLETE ORNETTE COLEMAN

It’s finally here – Metallica’s eponymous album, better known as The Black Album – is remastered and will be available everywhere on September 10^th. The Black album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, “Enter Sandman,” “The Unforgiven, “Nothing Else Matters, “Wherever I May Roam,” and “Sad But True.” The standard album is remastered by Bob Ludwig at Gateway Mastering and all other content is remastered by Reuben Cohen at Lurssen Mastering. All content was overseen by executive producer Greg Fidelman.

Limited edition deluxe numbered box set (with magnetic flap) of Metallica (Remastered)includes the album remastered on 180-gram double LP and CD, Sad But True picture disc, three live LPs, 14 CDs and six DVDs featuring unreleased content (live shows, rough mixes, demos, etc), MP3 download card of all audio, four tour laminates, lanyard, three lithos, three guitar picks, lyric folder and sheets, and a 120-page hardcover book with never-before-seen photos + stories from those who were there.

OVERKILL are an American thrash metal band, formed in 1980 in New Jersey. They are often called “the Motörhead of thrash metal,” based on their unique playing style, which was influenced by punk rock and the new wave of British heavy metal. They were also one of the first thrash metal bands to sign to a major label (having signed to Atlantic Records in 1986), and rose to fame as part of the genre’s movement of the mid-to-late 1980s, along with the “big four” (Metallica, Megadeth, Slayer and Anthrax) as well as Exodus and Testament. OVERKILL achieved their first mainstream success with their second studio album and Atlantic debut, Taking Over (1987) which acclaimed global praise & chart success. The band’s next five studio albums were also on Atlantic —Under the Influence (1988), The Years of Decay (1989), Horrorscope (1991), I Hear Black (1993) and W.F.O. (1994) and were also successful on a global scale, making them one of the most successful East Coast thrash metal bands. OVERKILL now have nineteen studio albums under their belt and continue to tour the world to huge audiences still to this day.

Neil Young and Reprise Record sare pleased to announce the 50th Anniversary Edition of Young’s classic record After the Gold Rush, which will arrive on CD on December 11. The deluxe vinyl box set will follow on March 19. Originally released September 19, 1970,After the Gold Rushis cemented in the annals of music history—the album has often been rightly recognized as one of the finest ever made. The collection combined Young’s poetic lyricism and wistful melodies, driven by both dreamy folk arrangements and ferocious rock ‘n’ roll, and in the decades since has been certified double platinum in both the U.S. and the U.K.The 50th Anniversary Edition vinyl boxset features a variant of the artwork, originally created by Neil’s long-time art directorGary Burden, made in collaboration with Grammy Award-winning artistJenice Heo. The set also includes a 7” single in a picture sleeve with two versions of album outtake “Wonderin’.” Side A, originally included in The Archives Vol. 1: 1963-1972, was recorded in Topanga, California, in March 1970, and Side B is a previously unreleased version recorded at Sunset Sound in Hollywood in August 1969. A litho print of the album’s front cover is exclusively included in this vinyl box set. The CD format of the 50th Anniversary Edition includes the new artwork and both versions of“Wonderin’.”

This new fully expanded version of the classic album from 1999 brings together the original album with previously unreleased ‘Secret Psychedelic Mixes’ and a selection of remixes from the period, curated by Tom and Ed over 4 180gram vinyl LPs. There’s also a DVD containing the hugely acclaimed promos for ‘Hey Boy Hey Girl’, ‘Let Forever Be’ and ‘Out Of Control’, fully restored, and footage from the 2000 Glastonbury performance – still reckoned to be the largest-ever crowd for the Pyramid Stage. Finally, the box will also include four prints from cover artist Kate Gibb, a 24-page book with photos, memorabilia and a new essay from Jon Savage and download card.

3 LP box. Fire Records are proud to release this comprehensive collection of one of the label's flagship bands from the early years. Taking it's name; "Firestation Tower", from the track that gained them world-wide recognition when the song featured on NME's influential C-86 compilation; the set brings together their LPs "Foxheads Stalk This Land", "Headache Rhetoric", and "Forever, Until Victory! The Singles Collection". As one of Fire's earliest signings, Close Lobsters stormed up the indie charts with their unique melodic jangle pop and skewed world-view. Their debut "Going To Heaven To See If It Rains" announced the band with a top ten bang, and they never looked back. Burning briefly, but oh so brightly, the band would continue to be sighted as an influence for decades to come.

This is a US RSD 2018 Limited edition box set of 1200. 

Included in box is a 6 sticker sheet a 2 page set list and a plan of the stage setup.

Extended compositions and explorations created during the Bird Box scoring sessions from Academy Award winners Trent Reznor & Atticus Ross. Over two hours of music completed in various hotel rooms before and after Nine Inch Nails’ 2018 Cold, Black & Infinite US tour. The intense pace and pressures of nightly performances began to bleed through into the work. What started as a film score began to mutate and expand into something far beyond what you saw on the screen. 4XLP pressed on 180g vinyl.

Soul Asylum first hit the Minneapolis music scene in early 1981. Core members Dave Pirner, Dan Murphy, and Karl Mueller met at local punk rock shows. Coming up in the shadow of formidable bands like Hüsker Dü and The Replacements, who they were all big fans of, was daunting but, ultimately, it inspired them to make a name for themselves. Soul Asylum stood out immediately because of their work ethic and smart, punky hard rock sound. They made four records for hometown label Twin/Tone Records, before moving on to the majors; first A&M, then Columbia where they scored two platinum albums and won a Best Rock Song Grammy® for “Runaway Train.” This special five-LP boxed set brings together Soul Asylum’s earliest albums (Say What You Will . . . Anything Can Happen, Made To Be Broken, and While You Were Out), their classic EP (Clam Dip & Other Delights), and the bonus track compilation and special new album (Twin/Tone Extras), a compilation that picks up select bonus tracks featured on the CD reissues of Soul Asylum’s Twin/Tone releases. The boxed set is co-produced by Twin/Tone Records cofounder and Replacements manager Peter Jesperson and Grammy®-winner and Omnivore Recordings co-founder Cheryl Pawelski. The Twin/Tone Years reaches back for some of the earliest Soul Asylum recordings as Loud Fast Rules and traces the history of the band through their indie, pre-major label years. A 20-page book is included with liner notes and previously unseen photos and memorabilia. The albums are being reissued on vinyl for the first time since their original releases, and have been restored and mastered by Grammy®-award winning engineer, Michael Graves at Osiris Studio and cut by Chris Muth at Taloowa. The Record Store Day Black Friday release includes a 20-page book with liner notes and previously unseen photos and memorabilia.

The perfect Giant Sand show runs two hours and drags you around the room filling you with booze and asking you to dance before pulling at your heartstrings, tying them in knots and then leading you into a barroom brawl that only stops to hear the piano player bare his soul before raining down the bottles and starting all over again. These collections allow you to get that feeling in your own home.

The first volume of the Sun Set box set includes: “Ballad Of A Thin Blue Man” (1986), “Blurry Blue Mountain’”(2010), “Center Of The Universe” (1992), “Chore Of Enchantment” (2000), “Glum” (1994) and “Goods And Services” (1995). The hardboard slipcase box set contains six albums across eight 12” vinyl and features extensive and entertaining liner notes from Howe Gelb himself.

‘The Sun Set’ Vol 1 includes:

• Ballad of a Thin Line Man (1986)
• Blurry Blue Mountain (2010)
• Center of the Universe (1992)
• Chore of Enchantment (2000) 2LP
• Glum (1994) 1LP
• Goods and Services (1995) 2LP

LIMITED TO 500 COPIES FOR RETAIL WORLDWIDE! This career spanning retrospective box marks the first time that all five of the band's albums for Geffen/Mute have been collected in one complete box set. The box set features 10 vinyl LPs newly remastered versions of all five of their albums, plus five LPs of bonus tracks and rarities, all carefully curated by Pylon Records and the original artwork expanded into gatefold sleeves, with embossing and spot UV finish. It also contains a large size 28-page booklet with liner notes by Douglas McCarthy and Bon Harris and unseen photos, flyers and artwork, detailing their entire career in chronological order from Essex to Los Angeles. These albums have been out of print since the early 90s and have never been reissued. The actual two-piece box is made of hard board stock, wrapped with leather paper and the UV design is hot foil stamped. The box also has space to accommodate their first self released album from 1983 and their last release from 2010 to complete the collection by the fans, as these titles have been in print in recent years.

A career boxset coming in the form of a 6LP is released to coincide with the career-spanning documentary film about Public Image Ltd titled The Public Image Is Rotten.
This box set ‘The Public Image Is Rotten (Songs From The Heart)’ features the PiL Singles Collection, B-sides, Rarities and Radio Sessions, 12” Mixes, Unreleased Mixes and Tracks + a Live concert from New York Ritz in July 1989.

This premium boxed set includes all three albums released by the band in their three years together between 1966-1968. The music is newly remastered from the original analog tapes, all under the auspices of Neil Young.