Double white colored vinyl LP pressing in gatefold jacket. Includes booklet. Roadrunner: New Light, New Machine is the sixth studio album by hip hop boy band Brockhampton, originally released in 2021.

Pop music agitator Dorian Electra (pronouns: they/them/theirs) makes music that is unbound by gender or genre. Since the 2019 release of their acclaimed debut album Flamboyant, which Interview Magazine called a "pop magnum opus," Electra has gained an intense cult following around the globe, that has been fueled by considerable critical support from places like Pitchfork, Billboard, Paper Magazine, FADER, Gay Times, The Guardian, and more. Electra, is known for their high-concept singles, which are each accompanied by a music video conceptualized, produced and co-directed by Electra and their co-director Weston Allen. They create a world in which camp is embraced and societal expectations and binaries are deconstructed.

Back in 2016, producer Seth Applebaum released two EPs that marked the inauguration of the band Ghost Funk Orchestra. 'Night Walker' and 'Death Waltz' were conceived as one-man-band, reel-to-reel tape recorded experiments that would bring together elements of all the sounds that Seth most adored at the time: tape-saturated drums, gratuitous spring reverb, surfy guitar, Latin-style percussion, odd time signatures, and Spanish-language female vocals. Initially released only in the digital domain and on a short run of cassette tapes, these two EPs that defined the early era of GFO are now finally available together on a single LP via Colemine Records. The tracks have been lovingly remastered by Doug Krebs. We invite you to take a dive into the humble beginnings of a project that has continued to grow, shape shift, and accrue new and exciting sounds for it's sonic palette.

The eponymous solo albums written, performed, and produced by Paul McCartney from 1970, 1980, and 2020. Includes 3 LPs on 180-gram audiophile vinyl with 3 limited edition photo prints and an introduction from Paul housed in a beautiful slipcase box.

COWBOY TEARS – The new album for Oliver Tree, is now available on vinyl. This body of work sees Oliver carefully crafting a “cowboy emo” aesthetic unlike anything you’ve seen or heard.Oliver decided to craft an album that was more focused and draws equally from the genres of alternative, pop and country, taking sonic inspiration from everyone from Sugar Ray to R.E.M. From the album’s opener and first single “Cowboys Don’t Cry” to the acoustic-based anthem “Freaks & Geeks” to the electronica-inspired experimentation of “Things We Used To Do,”Cowboy Tears is social commentary disguised as saccharine pop—and what’s most impressive is the way the album succeeds on both counts. “I think one of my biggest strengths as an artist is the fact that I’m able to step back and see where there are holes in the pop-culture matrix,” Oliver explains when asked about his overall vision for Cowboy Tears.

TWO ORIGINAL ALBUMS IN ONE COMMEMORATIVE LP SET. DISCO4 :: PART I (2020) plus the new album DISCO4 :: PART II, which sees HEALTH showcasing a new range and ambitiousness through collaborations with the likes of industrial rock icons Nine Inch Nails, metal institution Lamb of God, internet savant Poppy, indie rock mainstays The Neighbourhood, French techno brutalist Perturbator, and more.

Some bands build catalogs over the years. Murder by Death has built a universe. Over more than two decades together, they have released eight deeply immersive albums, each one subtly broadening their sonic and thematic limits, and exploring what the band is truly capable of. On their ninth album, Spell/Bound, the band has taken their largest leap forward into lavish, spaced-out territory only hinted at on previous records. "Sonically, the direction we explored was more in the vein of almost trip-hop, like Massive Attack and Portishead, where we were trying to lean into a vibe that was chill but dark. We wanted it to be a record that was lush but not necessarily a wall of sound," says frontman Adam Turla.

3 180 Gram BLACK vinyl discs, in tri-fold gatefold jacket, with 12”x 36” 2 sided poster.

Fear Inoculum is the Grammy award winning masterpiece from Tool. Following the release of the limited edition single pressing ultra deluxe 5 disc vinyl box set, this critically acclaimed album is available now as a 3 disc 180 gram set, that features new artwork in a triple gatefold jacket and an exclusive poster.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

John Moreland doesn’t have the answers, and he’s not sure anyone does. But he’s still curious, basking in the comfort of a question, and along the way, those of us listening feel moved to ask our own. “I don’t ever want to sound like I have answers, because I don’t,” he says. “These songs are all questions. Everything I write is just trying to figure stuff out.”

Moreland is discussing his new album Birds in the Ceiling, a nine-song collection that offers the most comprehensive insight into the thoughts and sounds swimming around in his head to date. A compelling blend of acoustic folk and avant-garde pop playfulness, Birds in the Ceiling lives confidently in a space of its own, enriched by tradition but never encumbered by it. The songwriting that has stunned fans and critics alike since 2015’s High on Tulsa Heat remains potent, while the sonic evolution that unfolds on the record feels like a natural expansion of 2020’s acclaimed LP5.

The New Yorker, Pitchfork, Fresh Air, Paste, GQ, and others have embraced Moreland’s meditative songs, while performances on The Late Show with Stephen Colbert, CBS This Morning, NPR Tiny Desk Concert, and more have introduced Moreland to millions. And yet, while the Tulsa-based Moreland is grateful for the respect and musical conversation he’s now having with people around the world, he is also more focused on the idea of just talking to one person––or even himself. “Through the years, I’ve felt like I’m increasingly talking to myself in my songs, more and more,” he says. “Maybe in the past, I wasn’t aware of it, but now, I am. I think doing that has helped me be less hard on myself, which makes you more generous and compassionate in general.”

That helps explain why even if Moreland is reaching out to someone else, there is no judgment. “I’m in the same boat with whoever I’m talking to,” Moreland says.  

Moreland’s songs do feel intimate––like overheard conversations or solitary meditations. “I want to talk one-on-one to someone in a song,” he says. “I don’t want to address a group, really, because I think that’s when it’s easy to start pontificating––and it gets less honest.”

On Birds in the Ceiling, Moreland’s singing contributes to the feelings of hushed intimacy. Wielding a warm, sandpaper soul voice, Moreland got used to singing loudly as he began playing in bars, fighting to be heard over chattering crowds. “When I first started singing, I was very self-conscious about it,” he says. “I think I tried to affect my voice more. Singing loud could be a security blanket sometimes. On the new album, on a lot of the songs I was definitely making a conscious effort to sing quieter––almost whisper.”

Produced by Matt Pence and Moreland, Birds in the Ceiling is dynamic: a folk record that refuses to stay in its lane. It’s the second album for Pence with Moreland, who sees the former––a Denton, Texas-based engineer, producer, and drummer––as an ideal musical partner. “We have a lot of the same influences, and I have been really influenced by his bands,” Moreland says. “It feels really effortless.”

Letting things just be what they are is a powerful guiding force for Moreland, determining not just how he interacts with others, but how he treats himself. “When you remove boundaries and instead of holding back parts of yourself––when you say, ‘Okay, I’m going to put all of me into this,’” Moreland says, "You end up making music that nobody else could make.”

Birds in the Ceiling is available at local record stores on CD, Vinyl, and an Indie-Exclusive Blue Vinyl on July 22.

Produced by longtime collaborator Hit-Boy, Nas delivers Magic, the transcendent nine track album including "Wave Gods" feat. A$AP Rocky and DJ Premier. Magic follows-up the August 2021 release of Nas' Grammy nominated album, King's Disease II, and finds the hip-hop icon spitting bars about social media, fellow rappers, the rough past few years and the human condition.

There is currently NO release date for this title, A date should be updated shortly.

The prolific Greg Foat returns with a new synthesizer soundscape double album that lands somewhere between an epic chillout record and a groovy jazz fusion opus. Recorded during the 2020 lockdown. This is the follow up to 'Photosynthesis', featuring drummer Morgan Simpson (Black Midi). Tracklisting:A1. Baby Boy (4:06)A2. Tropical Love (4:26)A3. Above the Clouds (2:54)A4. Underwater Fantasy (5:02)B1. Psychosynthesis Part 1 (5:13)B2. Artic Cavern (8:05)B1. Psychosynthesis Part 2 (5:40)C1. The Green Odyssey (6:19)C2. Riding into Battle (5:31)C3. The Investigation (5:37)D1. World of Tiers (2:02)D2. Subterranean Lake (4:01)D3. Fatherhood (8:20)D4. Crystal Gardens (4:07)

Sonny Clark, one of the finest pianists and composers of the hard cop era, arrived fully formed on his supremely swinging 1957 Blue Note debut, Dial "S" for Sonny. Clark assembled a top-flight sextet for the occasion with Art Farmer (trumpet), Chris Fuller (trombone), Hank Mobley (tenor saxophone), Wilbur Ware (bass), and Louis Hayes (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Formed in the imagination of a 7-year-old beabadoobee and carried with her ever since Beatopia is a fantastical yet deeply personal world that houses her most impressive work to date. Marking a huge progression, in 14 songs she traverses fuzzy rock, classic singer/songwriter, psychedelia, Midwest emo, and outright pop whilst remaining undeniably herself throughout.

A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

CAKE’s second studio album Fashion Nugget, originally released in 1996, reissued on 180 gram black vinyl.  Remastered audio of the 14-track album includes hits "The Distance," “Frank Sinatra,” and "I Will Survive".

Death Grips are angry. It's unclear why. But on their major-label debut, the Sacramento noise group's monomaniacal desire to rain down fiery destruction on the powers-that-be is crystal-clear, even if nothing else is on The Money Store, even if nothing else-- where the hell this album came from; who plays which instrument; what the lead singer is yelling about; and what on earth this band of insurgents is doing signing an Epic Records contract with L.A. Reid-- makes much sense at all. - Pitchfork 8.7

Pearl Jam delivers the Tour Edition of their 11th studio album, 2020's critically acclaimed #1 Rock Album and Billboard 200 Top 10 album, Gigaton, featuring 11 live songs including: "Dance Of The Clairvoyants", "Superblood Wolfmoon", "Retrograde" and more. Gigaton (Tour Edition) includes the original vinyl LP with an 11 track live CD recorded during various 2021 performances. The Gigaton Tour continues its European leg through July and then the band will hit Canada and the East Coast this Fall! 

Joe Barresi’s new mix of Holy Diver released as a 2-LP set on 180-gram vinyl. It includes the original nine tracks, plus the 1983 B-side version of “Evil Eyes” as a bonus track. Side four is decorated with an etching of the legendary demon Murry that graces the album’s iconic cover. The vinyl is kept in a gatefold sleeve that shows off newly commissioned artwork by longtime Dio artist, Marc Sasso.

Vinyl LP pressing. Punks Not Dead is the first studio album by the Scottish punk rock band The Exploited, originally released in 1981. Working class and loyal to the first impulses of the 1970s punk movement, the album was a reaction to critics who believed the punk rock genre was dead, and went against popular trends such as new wave and post-punk.

Following Momma's beloved 2020 LP Two of Me, which introduced the world to the symbiotic writing style and profound creative intuition of founders Etta Friedman and Allegra Weingarten, the band's third studio album Household Name reveals an exciting new chapter marked by both personal and artistic growth. Mastered by Grammy-winning engineer Emily Lazar, the album is a tightly-stitched collection that is magnetic and dynamic, and also marks their debut for Polyvinyl Record Co./Lucky Number-who signed Momma in the midst of the pandemic.Bygone heroes helped inspire a lyrical theme throughout Household Name: the rise and fall of the rock star, and the tropes and tribulations that come with that arc. The theme allowed the group to celebrate (and, in some cases, directly reference) icons like Nirvana, Pavement, Smashing Pumpkins, Veruca Salt, and the Breeders' Kim Deal, while weaving in their own perspective and experiences. Standouts like "Medicine," which The Line of Best Fit described as an "addictive alt-rock tonic," and "Speeding 72" showcase the band's knack for developing hooky guitar lines paired with an intricate, yet boisterous rhythm section. The album perfects a balance of heavy riffs, deep emotions, inviting sonic production, and a lighthearted, wry sense of humor, creating a singular lane for Momma in today's world of alt rock. In addition to a full US tour supporting Snail Mail and recent club dates with Wet Leg, and Greer, Momma have been featured in outlets such as DIY, NPR, Stereogum, and Rolling Stone, who featured them as 2020's "Artist You Need To Know.""One of nouveau grunge's best-kept secrets." - Guitar World Magazine"Over toppling drums and gripping guitar riffs, "Medicine" reveals that Momma have tightened their songwriting craft." - FLOOD"It's a fun juxtaposition, and a feeling many can relate to. Wanting to be around someone so much that it's a craving when they're absent is presented here without frills. It's a sound that suits Momma well." - Consequence

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.

Now being released for the first time on vinyl, CD and digital formats, ‘A Very Lonely Solstice’ captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.

Much of ‘A Very Lonely Solstice’ showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”

Haunted Shores is the instrumental side project of Periphery guitarists Mark Holcomb and Misha Mansoor, two high-profile members of the heavy music community. The record is a balls-out blast of heavy music played at breakneck speed, with rumbling grooves, and tons of twists and turns.

Kanye West delivers a Deluxe Edition of the record-shattering Donda, featuring 4 bonus tracks plus fan-favorite verses from Andre 3k, Kid Cudi and more. This release, from one of “the most influential pop stars of the 21st century,” was his 10th #1 album on the Billboard 200, racking up over 1 billion streams in the first 10 days. Originally previewed at 3 historic livestream events, the global phenomenon topped charts in 11 countries and set an Apple Music record of #1s in 152 countries. 4 LP.

Vaxis II: A Window of the Waking Mind welcomes us back to “The Amory Wars” as the 2nd installment of the new five-part “Vaxis” arc about a couple on the run from tyrannical forces and their mysterious new addition. 

“We wanted to do something grander than the typical four-piece Converge music.”

That’s CONVERGE vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into BLOODMOON:I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.

What began as a mutual admiration society between festival bands has grown into a collaborative project featuring the indie music scene’s finest song writers. Harrowing and atmospheric, triumphant and melodious, BLOODMOON:I is CONVERGE as you’ve never heard them before. Produced by Kurt Ballou at his God City Studio.

“It’s hard to find new ways to be creative, but I think we’ve been good at sort of forcing ourselves to do that,” Ballou says. “And this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.”

Released via Columbia Records, Call Me If You Get Lost is Tyler's sixth studio album and includes additional guest appearances from 42 Dugg, Lil Wayne, Domo Genesis, Brent Faiyaz, Lil Uzi Vert, Pharrell Williams, Teezo Touchdown, Fana Hues and Daisy World.

Limited 180gm vinyl LP pressing. Lou Donaldson had already helmed 7 Blue Note sessions by the time he made his undisputed masterpiece Blues Walk in 1958. Joining the saxophonist were Herman Foster on piano, Peck Morrison on bass, Dave Bailey on drums, and Ray Barretto on congas for a 6-song set that yielded one of his most memorable themes with the cool struttin' title track. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.

To recreate that original chemistry, the band recruited the legendary producer John Fryer to again helm Chasing Ghosts. Fryer, whose production credits include Depeche Mode, Nine Inch Nails, 4AD, Cocteau Twins, and Love and Rockets, originally worked with Stabbing Westward on their best-selling early releases Ungod (1994) and Wither Blister Burn + Peel (1996). Chasing Ghosts was also mastered by Tom Baker who, like Fryer, worked with Stabbing Westward on their early releases and is part of the reassembled production team on the latest album. The current Stabbing Westward band lineup includes Carlton Bost (guitars and programming) and Bobby Amaro (drums). Says Walter Flakus, "It seems like we've been working on this album for a long time, trying to get it just right. With the help of John Fryer and COP International, everything fell into place. We are so excited for the world to finally hear the album. " Adds Christopher Hall: "It's great to be back and working with John Fryer and Tom Baker again was awesome and felt like making a pure old-school Stabbing Westward album. I was so excited to have the opportunity to go back to the very roots of SW by working with John again. John really helped us develop our sound on our first album and then help us take a huge leap forward with our second album. Even though this is our 5th full-length album, after such a long break it feels like a new beginning and it's very cool to have John at the helm once again. " The album is featuring artwork by David Seidman (an artist who has also worked with Coheed And Cambria and is known for his ethereal and surrealistic imagery)

Carly Rae Jepsen's breakthrough 2012 album, Kiss (previously only available as a limited-edition picture disc) is now available on standard vinyl as part of the 10th anniversary celebration of its release. It features the Top 10 hit, "Good Time (feat. Owl City)" and the #1 global smash, "Call Me Maybe."

Known for being one of the most incendiary and influential bands in hardcore and modern metal history, apocalyptic heavy music icons Integrity issued their landmark debut album, Those Who Fear Tomorrow, on Overkill Records in 1991. Recorded in September of that year, the album still resonates with extreme music fans the world over, as many of the songs still frequent the band's set lists three decades later including classics like "Judgement Day," "Darkness," and "In Contrast of Sin." 2022 colored vinyl LP reissue from Relapse Records.

Driven by Max Cavalera's unrelenting energy, unmistakable growl, and instantly recognizable riffage, the earthy tones and motivational rhythmic bounce of Soulfly maintain a gritty spiritual heart while pushing the boundaries of what's possible in metal. Nowhere is that more apparent than on the four triumphant, redemptive, and crucial eclectic offerings presented in this brand new box set, celebrating the first six years of the band career. 'The Soul Remains Insane' is a deluxe collection of the first four studio albums by Soulfly and also contains a bonus album of singles, b-sides, rare cuts and a couple of previously unreleased songs. The box set will be available as a 5 album, 5CD box.

Indie Exclusive Baby Pink LP. Limited Edtiion.