2-LP Crystal Violet Vinyl

Patient Number 9 is Ozzy Osbourne’s 13^th solo studio album and a continuation from 2020’s top 5 release Ordinary Man, once again produced by Andrew Watt. This 13-track project running nearly over an hour long has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone – “Patient Number 9”, “Degradation Rules”, and “One Of Those Days” – feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Josh Homme (Queens of The Stone Age), Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins.

YUNGBLUD is the self-titled third album by 24-year-old singer/songwriter and multi-instrumentalist YUNGBLUD (Dominic Harrison). Following the success of 2018’s 21st Century Liability and 2020’s weird!, his third record is simply titled YUNGBLUD: it’s a reclamation of his own narrative and the consolidation of his artistic identity. YUNGBLUD is out September 2, 2022. Indie Exclusive Pink LP.

In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.”

This, the PARKWAY DRIVE vocalist says, is a pretty good summation of him-self. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands.

Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows.

While Darker Still remains irrefutably PARKWAY DRIVE, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting. 

Emerging from the darkness of the past few years, this is the true face of PARKWAY DRIVE: redefined and resolute, focused in mind and defiant in spirit.

Kendrick Lamar - "Mr. Morale & The Big Steppers" - Kendrick Lamar released his first album in 5 years, Mr. Morale & The Big Steppers. Available on Vinyl August 26, 2022. EXPLICIT

The seeds of the collaboration were planted in 2017 when Anderson .Paak and Bruno Mars toured together on the European leg of his 24K Magic World Tour. One late-night jam session on the road unlocked immediate chemistry. Just before the world slipped into quarantine, Bruno called Anderson: “Remember that idea we had back in 2017? Let’s do it.” One studio session grew into to a months-long collaboration, culminating the “setlist of doom.” Legendary Bootsy Collins christened Silk Sonic and came in as the “special guest host” for An Evening With Silk Sonic, their debut album.Silk Sonic was finally set free on March 5th, 2021. Within less than a month, their debut single “Leave The Door Open” cracked over 230 million streams, and currently sits at 1.2 billion streams with over 346 million official video views. It reeled in rave reviews, including Variety who noted it “could be a Best R&B Song GRAMMY® winner from 1974.” After petitioning the GRAMMY® Awards to #LetSilkSonicThrive, they made their debut performance with “Leave The Door Open” and served up a powerful tribute to Little Richard.

Limited Edition Vagrant 25th Anniversary Vinyl LP!

Ten years after The Lemonheads released Car Button Cloth in 1996, the group signed to Vagrant Records with a new lineup comprised of original member Evan Dando, bassist Karl Alvarez (Descendents, ALL) and drummer/producer Bill Stevenson (Black Flag, Descendents, ALL). Vagrant's founder Rich Egan explained, "Nobody writes like Evan Dando, nobody sings like him."

In a remote Rocky Mountain hideaway, over the course of eighteen months, Dando, Alvarez and Stevenson created the first entry in the Lemonheads repertoire in a decade, with contributions from Josh Lattanzi on bass, The Band's Garth Hudson on keyboards and Dinosaur Jr.'s J Mascis on guitar.

In an interview at the time of the album's 1996 release, Dando described the sound as "Louder, faster, more like Buzzcocks pop-punk-and way less introspective. We've got some psyched-out country on there as well. But all of it is squarely in The Lemonheads tradition."

The Lemonheads (Limited Edition) Vagrant Records

Formed in 2001, Arizona-based post-hardcore band The Bled set the standard for their genre with the release of Pass the Flask in 2003. Their breakout LP, 2005's Found In The Flood, cemented their reputation and critics proclaimed them to be musically and lyrically ahead of their peers. 2007's Silent Treatment served as the band's third full-length, recorded with producer Brian McTernan (Thrice, From Autumn to Ashs, Hidden Plain, View and Senses Fail). It's an explosive document of The Bled's trademark ability to join unexpected melodies and precision playing with the heaviest of rhythms. This Deluxe Edition vinyl LP reissue features 2021 remastered audio and a pair of bonus tracks.

Originally released in August, 2019, “We Are Not Your Kind” is now available as a 2LP, light blue colored vinyl release.  Guitarist Jim Root noted, “This is most time we’ve had to write a record, and work stuff out together.  One of my inspirations this time around was those artists that recorded full length albums - not just songs.  While the industry is moving toward singles, Slipknot wanted to make an album experience, front to back.”

Double white colored vinyl LP pressing in gatefold jacket. Includes booklet. Roadrunner: New Light, New Machine is the sixth studio album by hip hop boy band Brockhampton, originally released in 2021.

"Perhaps because one half of Pavement lives in New York City and the other in a sleepy, rural, central California town called Stockton, the spirit of the band's music is split right down the middle. Simultaneously sophisticated and unpretentious, heartfelt and totally goofy - but always entirely sincere - Pavement exhibits it's genius casually. The group's first full-length album, Slanted and Enchanted, is brimming with beautiful pop songs, soured a bit by the rhythmic clamor of harder guitar rock. You can hear Pavement's effortless charm in the evocative lyrics... and, ultimately, in the sheer, clangy joyfulness of the band's playing." Entertainment Weekly "Pavement makes things happen where nothing happened before" Spin Magazine 'Spin's Top 5 albums of the 1990s ' #3 on Pitchfork's Best Albums of the 1990s

Vinyl LP pressing. 1974 album from the British jazz-fusion band.

The eponymous solo albums written, performed, and produced by Paul McCartney from 1970, 1980, and 2020. Includes 3 LPs on 180-gram audiophile vinyl with 3 limited edition photo prints and an introduction from Paul housed in a beautiful slipcase box.

COWBOY TEARS – The new album for Oliver Tree, is now available on vinyl. This body of work sees Oliver carefully crafting a “cowboy emo” aesthetic unlike anything you’ve seen or heard.Oliver decided to craft an album that was more focused and draws equally from the genres of alternative, pop and country, taking sonic inspiration from everyone from Sugar Ray to R.E.M. From the album’s opener and first single “Cowboys Don’t Cry” to the acoustic-based anthem “Freaks & Geeks” to the electronica-inspired experimentation of “Things We Used To Do,”Cowboy Tears is social commentary disguised as saccharine pop—and what’s most impressive is the way the album succeeds on both counts. “I think one of my biggest strengths as an artist is the fact that I’m able to step back and see where there are holes in the pop-culture matrix,” Oliver explains when asked about his overall vision for Cowboy Tears.

TWO ORIGINAL ALBUMS IN ONE COMMEMORATIVE LP SET. DISCO4 :: PART I (2020) plus the new album DISCO4 :: PART II, which sees HEALTH showcasing a new range and ambitiousness through collaborations with the likes of industrial rock icons Nine Inch Nails, metal institution Lamb of God, internet savant Poppy, indie rock mainstays The Neighbourhood, French techno brutalist Perturbator, and more.

Some bands build catalogs over the years. Murder by Death has built a universe. Over more than two decades together, they have released eight deeply immersive albums, each one subtly broadening their sonic and thematic limits, and exploring what the band is truly capable of. On their ninth album, Spell/Bound, the band has taken their largest leap forward into lavish, spaced-out territory only hinted at on previous records. "Sonically, the direction we explored was more in the vein of almost trip-hop, like Massive Attack and Portishead, where we were trying to lean into a vibe that was chill but dark. We wanted it to be a record that was lush but not necessarily a wall of sound," says frontman Adam Turla.

3 180 Gram BLACK vinyl discs, in tri-fold gatefold jacket, with 12”x 36” 2 sided poster.

Fear Inoculum is the Grammy award winning masterpiece from Tool. Following the release of the limited edition single pressing ultra deluxe 5 disc vinyl box set, this critically acclaimed album is available now as a 3 disc 180 gram set, that features new artwork in a triple gatefold jacket and an exclusive poster.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

John Moreland doesn’t have the answers, and he’s not sure anyone does. But he’s still curious, basking in the comfort of a question, and along the way, those of us listening feel moved to ask our own. “I don’t ever want to sound like I have answers, because I don’t,” he says. “These songs are all questions. Everything I write is just trying to figure stuff out.”

Moreland is discussing his new album Birds in the Ceiling, a nine-song collection that offers the most comprehensive insight into the thoughts and sounds swimming around in his head to date. A compelling blend of acoustic folk and avant-garde pop playfulness, Birds in the Ceiling lives confidently in a space of its own, enriched by tradition but never encumbered by it. The songwriting that has stunned fans and critics alike since 2015’s High on Tulsa Heat remains potent, while the sonic evolution that unfolds on the record feels like a natural expansion of 2020’s acclaimed LP5.

The New Yorker, Pitchfork, Fresh Air, Paste, GQ, and others have embraced Moreland’s meditative songs, while performances on The Late Show with Stephen Colbert, CBS This Morning, NPR Tiny Desk Concert, and more have introduced Moreland to millions. And yet, while the Tulsa-based Moreland is grateful for the respect and musical conversation he’s now having with people around the world, he is also more focused on the idea of just talking to one person––or even himself. “Through the years, I’ve felt like I’m increasingly talking to myself in my songs, more and more,” he says. “Maybe in the past, I wasn’t aware of it, but now, I am. I think doing that has helped me be less hard on myself, which makes you more generous and compassionate in general.”

That helps explain why even if Moreland is reaching out to someone else, there is no judgment. “I’m in the same boat with whoever I’m talking to,” Moreland says.  

Moreland’s songs do feel intimate––like overheard conversations or solitary meditations. “I want to talk one-on-one to someone in a song,” he says. “I don’t want to address a group, really, because I think that’s when it’s easy to start pontificating––and it gets less honest.”

On Birds in the Ceiling, Moreland’s singing contributes to the feelings of hushed intimacy. Wielding a warm, sandpaper soul voice, Moreland got used to singing loudly as he began playing in bars, fighting to be heard over chattering crowds. “When I first started singing, I was very self-conscious about it,” he says. “I think I tried to affect my voice more. Singing loud could be a security blanket sometimes. On the new album, on a lot of the songs I was definitely making a conscious effort to sing quieter––almost whisper.”

Produced by Matt Pence and Moreland, Birds in the Ceiling is dynamic: a folk record that refuses to stay in its lane. It’s the second album for Pence with Moreland, who sees the former––a Denton, Texas-based engineer, producer, and drummer––as an ideal musical partner. “We have a lot of the same influences, and I have been really influenced by his bands,” Moreland says. “It feels really effortless.”

Letting things just be what they are is a powerful guiding force for Moreland, determining not just how he interacts with others, but how he treats himself. “When you remove boundaries and instead of holding back parts of yourself––when you say, ‘Okay, I’m going to put all of me into this,’” Moreland says, "You end up making music that nobody else could make.”

Birds in the Ceiling is available at local record stores on CD, Vinyl, and an Indie-Exclusive Blue Vinyl on July 22.

There is currently NO release date for this title, A date should be updated shortly.

The prolific Greg Foat returns with a new synthesizer soundscape double album that lands somewhere between an epic chillout record and a groovy jazz fusion opus. Recorded during the 2020 lockdown. This is the follow up to 'Photosynthesis', featuring drummer Morgan Simpson (Black Midi). Tracklisting:A1. Baby Boy (4:06)A2. Tropical Love (4:26)A3. Above the Clouds (2:54)A4. Underwater Fantasy (5:02)B1. Psychosynthesis Part 1 (5:13)B2. Artic Cavern (8:05)B1. Psychosynthesis Part 2 (5:40)C1. The Green Odyssey (6:19)C2. Riding into Battle (5:31)C3. The Investigation (5:37)D1. World of Tiers (2:02)D2. Subterranean Lake (4:01)D3. Fatherhood (8:20)D4. Crystal Gardens (4:07)

Sonny Clark, one of the finest pianists and composers of the hard cop era, arrived fully formed on his supremely swinging 1957 Blue Note debut, Dial "S" for Sonny. Clark assembled a top-flight sextet for the occasion with Art Farmer (trumpet), Chris Fuller (trombone), Hank Mobley (tenor saxophone), Wilbur Ware (bass), and Louis Hayes (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Formed in the imagination of a 7-year-old beabadoobee and carried with her ever since Beatopia is a fantastical yet deeply personal world that houses her most impressive work to date. Marking a huge progression, in 14 songs she traverses fuzzy rock, classic singer/songwriter, psychedelia, Midwest emo, and outright pop whilst remaining undeniably herself throughout.

A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

CAKE’s second studio album Fashion Nugget, originally released in 1996, reissued on 180 gram black vinyl.  Remastered audio of the 14-track album includes hits "The Distance," “Frank Sinatra,” and "I Will Survive".

Death Grips are angry. It's unclear why. But on their major-label debut, the Sacramento noise group's monomaniacal desire to rain down fiery destruction on the powers-that-be is crystal-clear, even if nothing else is on The Money Store, even if nothing else-- where the hell this album came from; who plays which instrument; what the lead singer is yelling about; and what on earth this band of insurgents is doing signing an Epic Records contract with L.A. Reid-- makes much sense at all. - Pitchfork 8.7

Pearl Jam delivers the Tour Edition of their 11th studio album, 2020's critically acclaimed #1 Rock Album and Billboard 200 Top 10 album, Gigaton, featuring 11 live songs including: "Dance Of The Clairvoyants", "Superblood Wolfmoon", "Retrograde" and more. Gigaton (Tour Edition) includes the original vinyl LP with an 11 track live CD recorded during various 2021 performances. The Gigaton Tour continues its European leg through July and then the band will hit Canada and the East Coast this Fall! 

Joe Barresi’s new mix of Holy Diver released as a 2-LP set on 180-gram vinyl. It includes the original nine tracks, plus the 1983 B-side version of “Evil Eyes” as a bonus track. Side four is decorated with an etching of the legendary demon Murry that graces the album’s iconic cover. The vinyl is kept in a gatefold sleeve that shows off newly commissioned artwork by longtime Dio artist, Marc Sasso.

Vinyl LP pressing. Punks Not Dead is the first studio album by the Scottish punk rock band The Exploited, originally released in 1981. Working class and loyal to the first impulses of the 1970s punk movement, the album was a reaction to critics who believed the punk rock genre was dead, and went against popular trends such as new wave and post-punk.

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.

Now being released for the first time on vinyl, CD and digital formats, ‘A Very Lonely Solstice’ captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.

Much of ‘A Very Lonely Solstice’ showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”

Haunted Shores is the instrumental side project of Periphery guitarists Mark Holcomb and Misha Mansoor, two high-profile members of the heavy music community. The record is a balls-out blast of heavy music played at breakneck speed, with rumbling grooves, and tons of twists and turns.

Kanye West delivers a Deluxe Edition of the record-shattering Donda, featuring 4 bonus tracks plus fan-favorite verses from Andre 3k, Kid Cudi and more. This release, from one of “the most influential pop stars of the 21st century,” was his 10th #1 album on the Billboard 200, racking up over 1 billion streams in the first 10 days. Originally previewed at 3 historic livestream events, the global phenomenon topped charts in 11 countries and set an Apple Music record of #1s in 152 countries. 4 LP.

Vaxis II: A Window of the Waking Mind welcomes us back to “The Amory Wars” as the 2nd installment of the new five-part “Vaxis” arc about a couple on the run from tyrannical forces and their mysterious new addition. 

Released via Columbia Records, Call Me If You Get Lost is Tyler's sixth studio album and includes additional guest appearances from 42 Dugg, Lil Wayne, Domo Genesis, Brent Faiyaz, Lil Uzi Vert, Pharrell Williams, Teezo Touchdown, Fana Hues and Daisy World.