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The Grammy and Brit nominated Courtney Barnett returns with her second album - ‘Tell Me How You Really Feel.’ It follows her critically acclaimed 2015 debut album ‘Sometimes I Sit And Think And Sometimes I Just Sit’, and a recent top 10 collaborative record, ‘Lotta Sea Lice’, with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with un inching self-assessment - fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain..
As menacing and unhinged as ever, the pride of Staten Island is back with their fifth full-length offering, V. Raw and absent of the modern technological trappings, the Budos pick up where they left off with 2014s Burnt Offering, and finds the group expanding on the brooding, fuzz-fueled riffs, whilst harkening back to the Ethiopian inspired rhythms and percussive proclivity that put Budos Band on the map.
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Double 200gm vinyl LP pressing. 50th anniversary edition of one of rock music's seminal debut albums. LP1 features all new 2019 stereo mixes as approved by Robert Fripp. LP2 features all new, 2019 alternate takes and recordings with five pieces mixed by Steven Wilson and two pieces mixed by David Singleton. Artwork derived from the original paintings, as meticulously restored for the limited edition full sized, signed prints. Cut by Jason Mitchell at Loud Mastering from original 24/96 high-resolution source files.
Travel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips. Every song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next. Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.” These journeys took Vile more than two years to navigate, during which time he toured behind his breakout 2015 album b’lieve I’m goin’ down, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett, opened for Neil Young in front of 90,000 people in Quebec, famously became a clue on Jeopardy, hung out with friends, took vacations with his wife and daughters. “I’ve been bouncing around a lot and recording all over. My family would meet me in the middle of America, and we’d go on a road trip somewhere. I would record in between all that stuff.” As Vile prepares for another round of lengthy tours and countless shows, these songs should prove good company, reminders of the love and responsibility he has toward those he leaves at home and those he meets along the way. That makes the sentiments resonate more strongly and lends Bottle It In an emotional weight. “It’s like that moment on the airplane,” Vile says, “when you’re on your way somewhere and you have that burst of panic. When you’re terrified of dying, that’s when you want people to know you love them.” “Impeccably recorded and mixed songs that shuffle bits of folk, new wave, or country in the mix but are always squarely down-the-middle rock.” Mark Richardson, Pitchfork “Vile’s self-awareness is as appealing as his melodies, and he’s stoked a reputation as a bit of a slacker maharishi—at the very least, a look inside Vile’s head might make you think a bit more deeply about what’s going on in your own.” The New Yorker
Limited to 3,500 numbered copies on Silver colored 180 gram audiophile vinyl.
This is the eponymous debut studio album by the Modern Lovers, originally released in 1976. Six tracks ("Roadrunner", "Astral Plane", "Old World", "Pablo Picasso", "She Cracked" and "Someone I Care About") were produced by John Cale. The Modern Lovers were formed in 1970 by teenage singer, songwriter, guitarist Jonathan Richman, augmented with Jerry Harrison (keyboards), Ernie Brooks (bass) and David Robinson (drums), with Richman's friend and original band member John Felice joining them occasionally. The Modern Lovers influenced numerous aspiring punk rock musicians on both sides of the Atlantic, including the Sex Pistols, whose early cover of "Roadrunner" was placed on The Great Rock 'n' Roll Swindle. The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. In 2003, the album was listed on Rolling Stone magazine's list of the 500 greatest albums of all time.
Lauded as an experimental, alternative band that's never been married to one genre, Phantogram-comprised of lifelong friends Josh Carter and Sarah Barthel-challenge the zeitgeist with their signature blend of hard-hitting beats, guitar-driven dark psychedelia and electronic pop. On March 6th they will release highly anticipated fourth studio album, Ceremony, which marks a rebirth and embodies a dark but hopeful chapter for the duo. Features recent singles "In A Spiral" and "Into Happiness".
Available on vinyl for the first time, the career-spanning compilation features some of the best known album tracks from across Pink Floyd s career, 1967-1994, as well as the UK Top 10 single 'See Emily Play.' Newly mastered for vinyl in 2018 by longstanding Pink Floyd associate James Guthrie, with Joel Plante, and with lacquers cut by Bernie Grundman of Grundman Mastering in Los Angeles, California, the 2-LP version features at least one difference from the CD version. Time is slightly longer, with the ringing alarm clocks at the start of the track reinstated. The original artwork, art directed by the late Storm Thorgerson, has been amended by Pink Floyd Creative Director Aubrey Powell of Hipgnosis with Peter Curzon, to include alternate versions of the photographs used in the CD version. The album package comes in a gatefold outer sleeve, with two separate printed inner bags, and is pressed on heavyweight 180 gram vinyl.
Limited Gold Sparkle Vinyl. Who are this mysterious cult phenomenon known as Uncle Acid & the Deadbeats? We are not able to shed much light on the identity of this drug-crazed coven of freaks but their addictive blend of heavy, melodic and garage horror-rock sounds have already taken the underground by storm. The popularity of this as yet anonymous bunch initially stemmed from people discovering tracks uploaded by them to Youtube, without any other hype. The band's music is heavily influenced by the late 1960s when heavy metal was emerging.
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Widely considered to be the ultimate and most important album to come out of the Stoner Rock/Doom movement. Sleep recently reformed and have been playing sold out shows all over the world. This classic will be rabidly devoured by a whole new generation of fiends.
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Thom Yorke’s new album ANIMA released summer 2109 was written by Thom Yorke and produced by Nigel Godrich. The album features 9 tracks, with an extra track exclusively on vinyl. A ‘one-reeler’ film, also entitled ANIMA , is available to watch exclusively via Netflix worldwide from midnight 27th June. Made by Paul Thomas Anderson to music from Thom’s album, the one-reeler has a run time of approximately 14 minutes.
The fifth studio album from Baroness, Gold & Grey, is out on June 14th via the band's own label, Abraxan Hymns.
Full Length Vinyl 2
Double vinyl LP pressing - Includes Digital Download.
2020 release. Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple. It is Apple's first release since The Idler Wheel... in 2012. The album was recorded from 2015 to 2020, largely at Apple's home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as "percussion orchestras". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures.
AMERICAN DREAM is the long awaited fourth album from LCD Soundsystem. The album is available digitally, and on CD and LP.
The first two singles released from the album are "call the police" and "american dream," that moved Pitchfork to rave the songs "couldn't sound timelier" and that "Murphy and company have never sounded so invigorated." The New York Times hailed "call the police" as "a quietly ambitious protest song… except that instead of searing, it motors," and Noisey embraced "american dream" like "a warm blanket." The band debuted both of these tracks on a May, 2017 appearance on Saturday Night Live. The next track and video that followed is "tonite."
Remember Myspace? It was the precursor to Facebook, and, for its time, almost as ubiquitous online. By August 2006, Myspace had over a hundred million member accounts, and, in October of that year, it decided to launch its first-ever webcast. The artist chosen for this epochal event? Ben Folds. The hour-long program featured Folds in front of a small audience housed in a custom set built right in Folds’ home studio in Tennessee, performing songs from his third and latest solo album, Supersunnyspeedgraphic, as well as a couple of tunes from his previous group, Ben Folds Five. As the first concert offered in real-time by the social networking site, Folds and his band (bassist Jared Reynolds and drummer Lindsay Jamieson) were arguably positioning themselves on the leading edge of entertainment-meets-technology. “Well, it felt like someone was,” Folds says today with a chuckle, “But I didn't think it was me. My fans and people around me were always really computer savvy, and there was a lot of hyping of [the event].” Now—just like it did with its release of Ben Folds Five: The Complete Sessions at West 54th—Real Gone Music is bringing this superlative show to CD and LP for the first time with its release of Ben Folds: Live at Myspace, a single CD/double vinyl package featuring all 12 songs from Folds’ Myspace performance along with five bonus tracks from the digital-only iTunes Originals series. Featuring pictures from the Myspace gig and liner notes by Bill Kopp offering Ben Folds’ reminiscences about the concert, this is as close as you can get to being there, and the studio-quality sound may just convince you that you are there if you just shut your eyes. We’ve also created custom gatefold jacket art for the vinyl release, which is being pressed in white vinyl limited to 1000 copies. Though Folds was focused on showcasing his newer material, he happily performed fan favorites in the all-requests Live at Myspace set. The highlight among these is the audience singalong on “Army,” a song originally released on 1999's The Unauthorized Biography of Reinhold Messner. Long-time Folds fans know that the crowd stepping in for the studio album version’s brass section is a concert staple, and the Myspace audience does not disappoint with its call-and-response verve. Another highlight of Live at Myspace is a cover of hip-hop giant Dr. Dre's “Bitches Ain't Shit.” Possibly taking advantage of the fact that webcasts aren't subject to the same rules imposed upon American radio stations by the FCC, Folds and his band mates sink their collective teeth into the rap classic from Dre's 1992 debut album, The Chronic, radically transforming the track—just as Folds had done with the Flaming Lips' “She Don't Use Jelly”—into something wholly unlike its original version. And, the bonus iTunes Originals performances from 2005 are practically a greatest hits encore, featuring the much loved song “Brick.” Another long-awaited addition to the Ben Folds canon!
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Astro-Creep: 2000 Live...; was the final studio album by White Zombie and is performed front-to-back here by Rob Zombie for the first time ever at the Riot Fest in September 2016. Featuring 'Electric Head, Pt. 2 (The Ecstasy),' 'More Human Than Human,' and 'Super-Charger Heaven,' this was White Zombie's most successful album and a fan favorite.