1. Sonata No. 2 In F Major, K. 280: I. Assai Allegro
2. Sonata No. 2 In F Major, K. 280: II. Adagio
3. Sonata No. 2 In F Major, K. 280: III. Presto
4. Nocturnal After John Dowland Op. 70: I. Musingly
5. Nocturnal After John Dowland Op. 70: II. Very Agitated
6. Nocturnal After John Dowland Op. 70: III. Restless
7. Nocturnal After John Dowland Op. 70: IV. Uneasy
8. Nocturnal After John Dowland Op. 70: V. March-Like
9. Nocturnal After John Dowland Op. 70: VI. Dreaming
10. Nocturnal After John Dowland Op. 70: VII. Gently Rocking
11. Nocturnal After John Dowland Op. 70: VIII. Passacaglia
12. Nocturnal After John Dowland Op. 70: IX. Slow & Quiet
13. Cello Suite No. 4 In E-Flat Major, Bwv 1010: Prelude
14. Cello Suite No. 4 In E-Flat Major, Bwv 1010: Allemande
15. Cello Suite No. 4 In E-Flat Major, Bwv 1010: Courante
16. Cello Suite No. 4 In E-Flat Major, Bwv 1010: Sarabande
17. Cello Suite No. 4 In E-Flat Major, Bwv 1010: Bourrees 1 & 2
18. Cello Suite No. 4 In E-Flat Major, Bwv 1010: Gigue
19. Cantos De España, Op. 232, B. 44: Bajo Lo Palmero (Under The Palm Tree)
20. "Cinq Pièces Enfantines" (Five Children's Pieces), Le Jardin Feerique (The Enchanted Garden)
21. Chorale Organ Prelude In F Minor, Bwv 639: 'ich Ruf' Zu Dir, Herr Jesu Christ'
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Internationally renowned as a brilliant innovator of the classical guitar, Paul Galbraith has been working since the 1980s towards expanding the technical limits of his instrument, besides augmenting the quantity and quality of it's repertoire. These efforts have already resulted in a series of critically acclaimed recordings of works by Bach, Haydn and Brahms, along with his own arrangements of folk tunes from various countries, all of which demonstrate the originality of his musical personality. By exchanging the traditional guitar for the eight-string Brahms Guitar, which he helped to develop, Galbraith found the ideal instrument with which to interpret the challenging Classical transcriptions from his highly personal repertoire. His latest project brings him to Hollywood, California to record a special recital program in the famed Studio A of Capitol Records. Legendary recording engineer Al Schmitt captures every nuance and detail of Paul's magical guitar in this very intimate setting. With Mozart, Britten and Bach featured in the recital proper, the encores from Albeniz, Ravel and Bach are destined to please and should not be missed.