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The youthful compositions of Karol Szymanowski presented on the album were created in the years 1899-1905. Most of them were composed in Tymoszówka in Ukraine and during Szymanowski's studies in Warsaw. Harmony lessons from Marek Zawirski, counterpoint and composition lessons from Zygmunt Noskowski supplemented the knowledge that the young composer drew from his in-depth analyzes of the works of great masters. According to popular opinion, the works of Fryderyk Chopin and Alexander Scriabin were a model for the form and texture of the Preludes, Op. 1 and Etudes, Op. 4, the virtuoso pianism of the Variations, Op. 3 and Fantasiaop. 14 referred to the compositions of Johannes Brahms and Franz Liszt, while Szymanowski's harmonic language was shaped in the first period of his career by the music of Ryszard Strauss and Ryszard Wagner. The problem of the influence of other composers on Szymanowski's early work is the subject of all kinds of analyzes and treatises, which wrongly suggests the author's lack of originality. Meanwhile, Szymanowski's early piano opuses are works full of noble, poetic inspiration and spontaneous expression, which ensured them a permanent place in the piano repertoire.
The youthful compositions of Karol Szymanowski presented on the album were created in the years 1899-1905. Most of them were composed in Tymoszówka in Ukraine and during Szymanowski's studies in Warsaw. Harmony lessons from Marek Zawirski, counterpoint and composition lessons from Zygmunt Noskowski supplemented the knowledge that the young composer drew from his in-depth analyzes of the works of great masters. According to popular opinion, the works of Fryderyk Chopin and Alexander Scriabin were a model for the form and texture of the Preludes, Op. 1 and Etudes, Op. 4, the virtuoso pianism of the Variations, Op. 3 and Fantasiaop. 14 referred to the compositions of Johannes Brahms and Franz Liszt, while Szymanowski's harmonic language was shaped in the first period of his career by the music of Ryszard Strauss and Ryszard Wagner. The problem of the influence of other composers on Szymanowski's early work is the subject of all kinds of analyzes and treatises, which wrongly suggests the author's lack of originality. Meanwhile, Szymanowski's early piano opuses are works full of noble, poetic inspiration and spontaneous expression, which ensured them a permanent place in the piano repertoire.
5902547016733

Details

Format: CD
Label: DUX
Rel. Date: 03/19/2021
UPC: 5902547016733

Piano Works 2
Artist: Szymanowski / Domanska
Format: CD
New: Available $19.99
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DISC: 1
MP3
1. 9 Preludes, Op. 1: No. 1 In B Minor
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2. 9 Preludes, Op. 1: No. 2 In D Minor
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3. 9 Preludes, Op. 1: No. 3 In D-Flat Major
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4. 9 Preludes, Op. 1: No. 4 In B-Flat Minor
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5. 9 Preludes, Op. 1: No. 5 In D Minor
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6. 9 Preludes, Op. 1: No. 6 In A Minor
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7. 9 Preludes, Op. 1: No. 7 In C Minor
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8. 9 Preludes, Op. 1: No. 8 In E-Flat Minor
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9. 9 Preludes, Op. 1: No. 9 In B-Flat Minor
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10. Variations In B-Flat Minor, Op. 3: Tema. Andantino Tranquillo E Semplice
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11. Variations In B-Flat Minor, Op. 3: Var. 1, L'istesso Tempo
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12. Variations In B-Flat Minor, Op. 3: Var. 2, Agitato
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13. Variations In B-Flat Minor, Op. 3: Var. 3, Andantino Quasi Tempo Di Mazurka
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14. Variations In B-Flat Minor, Op. 3: Var. 4, Con Moto
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15. Variations In B-Flat Minor, Op. 3: Var. 5, Lento Dolce
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16. Variations In B-Flat Minor, Op. 3: Var. 6, Scherzando
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17. Variations In B-Flat Minor, Op. 3: Var. 7, Allegro Agitato Ed Energico
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18. Variations In B-Flat Minor, Op. 3: Var. 8, Meno Mosso
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19. Variations In B-Flat Minor, Op. 3: Var. 9, Tempo Di Valse
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20. Variations In B-Flat Minor, Op. 3: Var. 10, Andantino Dolce
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21. Variations In B-Flat Minor, Op. 3: Var. 11, Andantino Dolce Affetuoso
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22. Variations In B-Flat Minor, Op. 3: Var. 12, Allegro Con Fuoco
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23. 4 Études, Op. 4: No. 1 In E-Flat Minor
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24. 4 Études, Op. 4: No. 2 In G-Flat Major
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25. 4 Études, Op. 4: No. 3 In B-Flat Minor
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26. 4 Études, Op. 4: No. 4 In C Major
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27. Fantasy In C Major, Op. 14: I. Grave - Maestoso
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28. Fantasy In C Major, Op. 14: II. Non Troppo Allegro, Ma Molto Passionato E Affetuoso
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29. Fantasy In C Major, Op. 14: III. Allegro Molto, Deciso, Energico
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More Info:

The youthful compositions of Karol Szymanowski presented on the album were created in the years 1899-1905. Most of them were composed in Tymoszówka in Ukraine and during Szymanowski's studies in Warsaw. Harmony lessons from Marek Zawirski, counterpoint and composition lessons from Zygmunt Noskowski supplemented the knowledge that the young composer drew from his in-depth analyzes of the works of great masters. According to popular opinion, the works of Fryderyk Chopin and Alexander Scriabin were a model for the form and texture of the Preludes, Op. 1 and Etudes, Op. 4, the virtuoso pianism of the Variations, Op. 3 and Fantasiaop. 14 referred to the compositions of Johannes Brahms and Franz Liszt, while Szymanowski's harmonic language was shaped in the first period of his career by the music of Ryszard Strauss and Ryszard Wagner. The problem of the influence of other composers on Szymanowski's early work is the subject of all kinds of analyzes and treatises, which wrongly suggests the author's lack of originality. Meanwhile, Szymanowski's early piano opuses are works full of noble, poetic inspiration and spontaneous expression, which ensured them a permanent place in the piano repertoire.
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