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Music Releases 09-13-24

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Jack White

No Name [Black LP]

Vinyl: $26.98 UNAVAILABLE
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Jack White announced the official release of his acclaimed 2024 album, No Name, following it's clandestine white-label appearance at Third Man Records locations where customers were slipped, guerilla-style, free unmarked vinyl copies in their shopping bags. With the surprise unveiling of No Name, fans proved that the rumblings of something mysterious can grow into the beautiful experience of a community sharing the excitement and energy of music and art. Third Man is thrilled to bring this music and mission to a wider audience with the announcement of the wide black vinyl release.
Jack White - No Name [Black LP]
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Gatefold jacket with custom dust sleeves and an envelope containing a personal letter from Suki
Limited sparklemuffin-pearl vinyl

Suki Waterhouse’s music sounds like a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling. It doubles as a mirror image of her life as a consummate creative, artist, actress, model, and mother, yet it also breaks the glass to unveil raw truth. She leans on an ever-evolving sonic palette to convey what she’s feeling—whether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop. You’ll hear Suki’s longing in a swooning chorus, fearlessness in a crunchy chord, elation in a danceable waltz, and wonder in a soft coo befitting of a lullaby. She faithfully followed a lifelong passion for music to her 2022 full-length debut, I Can’t Let Go. Adorned by “Moves” and “Melrose Meltdown,” it incited widespread critical applause from Variety, Nylon, NME, The Line of Best Fit, and more. Between headlining shows and touring with Father John Misty, “Good Looking” surged online, generating nearly a billion streams, going RIAA platinum, and paving the way for theMilk Teeth EP.  Simultaneously, she absorbed inspiration from a season of change earmarked by unforgettable moments a la gracing the stage of Lollapalooza 2023, performing on multiple continents, becoming a mom, and closing out the Gobi Tent at Coachella in 2024. Everything just set the stage for the gold-certified songstress to assert herself as a versatile, vibrant, and vital presence on her 2024 double-LP, Memoir of a Sparklemuffin

Suki Waterhouse - Memoir Of A Sparklemuffin [Sparklemuffin Pearl Vinyl]
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Cascade’ pushes Floating Points’ sound forward into new places. The eight songs here are allowed to smoulder and spark for up to eight minutes at a time, allowing for more expansive exploration of sounds and grooves than ever before. Almost a decade on since ‘Elaenia’, his revered debut album, the composer has discovered new ways to thread his experiments outside of club music seamlessly into his music designed for the dancefloor.

Last year 15k people witnessed Shepherd perform his Mercury Prize nominated masterpiece ‘Promises’ at the Hollywood Bowl. Shepherd assembled an all-star cast of players that included Shabaka Hutchings, Kieran Hebden (Four Tet), Dan Snaith (Caribou), Kara Lis Coverdale and Hinako Omori, with Miguel Atwood Ferguson conducting. 

Shepherd also recently composed his first ballet for symphony orchestra and electronics, Mere Mortals, which was performed by the San Francisco Ballet in collaboration with artistic director Tamara Tojo and choreographer Aszure Barton and Hamill Industries. The shows were critically acclaimed with rave reviews from The Guardian, Forbes, and more.

Floating Points - Cascade [Indie Exclusive Universal Sparkle 2LP]
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Josh Turner - This Country Music Thing - Vinyl

This Country Music Thing is Josh Turner's 10th studio album and first new music since his 2017 album, Deep South. Produced by Kenny Greenberg, it features 11 tracks - including the new single, "Heatin' Things Up," which was released in April. Josh will remain on tour throughout the rest of 2024 previewing songs from his new album.

Josh Turner - This Country Music Thing [Gold LP]
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Including the new single, “The Beginning,” The Forest Is The Path is an album rooted in reflection, introspection and interrogation. One of its key building blocks, says Gary Lightbody, was the idea of love from a distance, “I haven’t been in a relationship for a very long time, 10 years or more, so love from a distance to me meant the way a relationship sits in your memory from a distance of, say, 10 years. That’s not something I’d previously thought about as a way to write about love. So, it’s like, when you’re in love, you’re standing in the lobby of the Empire State Building. When you’ve broken up with that person, you’re out in the street. You can still see the building, but you’re not in there anymore. And when it’s 10 years later, now you’re standing in Brooklyn looking at the Manhattan skyline.”
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Ghostface is ready to "Set The Tone" with his new album, featuring a blend of tracks catering to both male and female audiences. Expect a mix of hard-hitting New York rap and melodic, laid-back records. Additionally, Ghostface has collaborated with hip-hop heavyweights such as Nas, Kanye West, Ja Rule, and many others.
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Multi-platinum indie pop artist Dayglow reveals his new self-titled project and celebrates the official announcement by dropping his latest single “Cocoon.” DAYGLOW embodies exactly who Sloan Struble is as an artist and creative and acts as a proper introduction into the bright and colorful Dayglow world. The 10-track debut record was solely written, performed, recorded, produced, and mixed by Struble himself in his Malibu home studio. He opens up and shares, “When I was 18 years old, I made my mixtape Fuzzybrain. I was a pretty introverted kid from a reasonably small town in Texas, so I didn’t expect much to happen ‘commercially’ for the record—I just made it for my own enjoyment, really. As a fan of the 2010’s indie music scene (MGMT, The Strokes, Phoenix, Passion Pit, etc.), I wanted to see what kind of album I could make completely alone in my bedroom. So, out of the quest to make something I loved, Dayglow was born. It was a clear reflection of myself at that time. It was pure, naive, goofy, guitar-driven indie-pop made to be played live by a 5-piece band (that I didn’t even have yet).”

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Allah-Las met while working at Amoeba Music, a key destination for music lovers in Los Angeles. While this experience helped shape their sensibility, their sound was forged in an underground basement where they came together as a band. They began gigging in Los Angeles in 2008, refining their live performance, and finally released their first 7” single Catamaran / Long Journey in 2011. In 2012, they began their relationship with Innovative Leisure, releasing their first self-titled album, Allah-Las, anchored by their second single Tell Me (What’s On Your Mind) / Sacred Sands. The release was met with critical acclaim and the band toured extensively in the States and abroad before going back into the studio to record their follow-up. Allah-Las’ second album, Worship The Sun, expands on the sound established by their maiden effort, honing their fusion of West Coast garage rock and roll, Latin percussion and electric folk. As richly textured and timeless as a Southern California beach break, the songs are evocative of Los Angeles’ storied past. Beatniks, artists, surfers, nomads. Remnants of a bygone Sunset Strip. Golden tans and cosmic sunsets. One can feel the warmth of the sun, but the band deftly avoids the kitsch so often indulged by lovers of these things. Hints of Byrds, Love, Felt, and those who follow are threaded into the tapestry.

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Zolita’s forthcoming sophomore album, Queen of Hearts, is built around a pair of equally ambitious themes. The first offers a bold celebration of queer love, joy and acceptance— the other offers a more personal, introspective meditation on her past relationships. Queen of Hearts follow’s Zolita’s 2023 Falling Out / Falling In EP and features the singles “Bloodstream,” “Small Town Scandal,” and “All Over Again.” Available for pre-order now on vinyl.
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The Jesus Lizard have returned with RACK, their first record since 1998. The album features 11 tracks of brisk guitar rock you haven’t heard since… the last time the Jesus Lizard took over a stage in your town. the Jesus Lizard — vocalist David Yow, guitarist Duane Denison, bassist David Wm. Sims, and drummer Mac McNeilly — have returned with a record teeming with the kind of madness needed to beat down today’s AOR mediocrity and piss-perfect pop drivel alike. Since their inception in Chicago in 1987, the Jesus Lizard has thrilled audiences all over the planet. The impeccable rocket-thrust rhythm section of Sims and McNeilly was the perfect launchpad for Denison’s jagged yet clean-toned riffing and Yow’s mercurial vocalizations manifesting as everything from panicked citizen, reality escapee or wounded sea mammal. the Jesus Lizard’s fury carried on through six studio albums, two live recordings and a brace of singles and EPs. On Rack, the Jesus Lizard have returned reconstituted, refreshed and positively revving. No tepid, bland tracks to show how they’ve “matured” as songwriters. No inane detours into unnecessary genre exercises. the Jesus Lizard. They might not be young, but they will never, ever get fucking old.
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After 30 years of playing music professionally, Willie Watson is releasing his debut album. A founding member of Old Crow Medicine Show, and a staple on the folk and americana circuit - Willie is no stranger to the stage and to audiences. But this is his first album of original music, aptly self titled, and a bold and confident statement in both song mastery and sonics. This record is about beating the devil. Willie didn't make any specific pact with him, but he had been tangled up with him his whole life. This album is about finding himself free of that devil, and learning to love himself again. It is about no longer leaning on old sounds and old folk singers and the music they made, and instead about learning to express himself freely and without limits. The result is a masterpiece.
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Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.”
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Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” This edition has been remastered from the original tapes.
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Marcin effortlessly blends melody, harmony, and hand-drum-style percussion across a genre-fluid collection of original compositions and covers on Dragon in Harmony, his highly anticipated full-length debut album for Sony Music Masterworks. Opening with a set of cleverly named originals "Guitar Is Dead" and "I Killed It," Marcin makes a daringly assertive statement about the state of the guitar and his personal journey as an artist. It's a theme that extends to the album's collaborators, with Marcin enlisting the talents of Polyphia's Tim Henson on "Classical Dragon" and Ichika Nito on "I Don't Write About Girls" as featured guitarists, turning Dragon in Harmony into a definitive manifesto for a new generation of guitar heroes. Elsewhere, Marcin taps chart-topping rockers Portugal. The Man for the alt radio-ready hit "When the Light Goes" and indie-pop songstress Delaney Bailey for the neo-soul-infused ballad "Allergies." Produced alongside Dan Book (blink-182, Shania Twain, Britney Spears), Dragon in Harmony also features a range of covers: Justin Timberlake, Sade and Nirvana share album space with Mozart, Debussy, and Miles Davis/Bill Evans, while Book's studio ingenuity gives Marcin's chops the heart-pounding impact of chart-topping alt-pop. The resulting 14-track collection is not just a showcase of Marcin's technical prowess, but also of his innate ability to translate that virtuosity into an enjoyable, long-form artistic statement about his career and the instrument that started it all.
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Very few bands manage to last decades, and for the ones that do, it’s often easy to settle down and get a little too comfortable. But there’s nothing comfortable about Devourer, the explosive new album from Cursive. The iconic Omaha group is known for their intensity, ambition, and execution, and has spent 30 years creating a bold discography that’s defined as much by its cathartic sound as its weighty, challenging lyrical themes. And Devourer is as daring as ever. Full of intense and incisive songs, the album proves exactly why Cursive have been so influential and enduring–and why they remain so vital today. In the years since their 1995 formation, Cursive developed into one of the most important groups to emerge from the late-’90s/early ‘00s moment when the lines between indie rock and post-hard-core began blurring into something altogether new. Albums like Domestica (2000) and The Ugly Organ (2003) became essential touchstones whose echoes can still be heard in new bands today. Devourer, as an expansive new double-album, examines humanity’s bottomless capacity for consumption through a series of songs that act like vignettes, driven by frontman Tim Kasher’s never-end-ing appetite for both taking in and creating art. “I am obsessive about consuming the arts,” he explains. “Music, film, literature. I’ve come to recognize that I devour all of these art forms then, in turn, create my own versions of these things and spew them out onto the world. It’s positive; you’re part of an ecosystem. But I quickly recognized that the term, ‘Devourer,’ may also embody something gnarly, sinister.” Fans have come to expect such heady topics from Cursive, but Devourer sets a new standard. While Cursive’s music hasn’t gotten any more comfortable, perhaps its being released into a world that’s at least a little more shaped in their image. Devourer sounds urgent and fresh, the work of a band still experimenting, still hungering to find new creative heights. On album highlight “Consumers,” the protagonist bemoans, “I saw ourn future and I want to go back.” But Cursive are only moving forward.
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A dynamic performer and prodigious talent, Goldsmith developed this new album with celebrated creators such as Dan Wilson (Taylor Swift, Adele), Rick Nowels (Lana Del Rey), and Alex Hope (Troye Sivan, Alec Benjamin) to name a few. Spanning heartbreak rockers, coming-of-age anthems, first love swooners, and more, The Start of Something Beautiful highlights Goldsmith's once-in-a-generation musicianship and songwriting as the 18-year-old has writing credits on every track and produced nearly half the record. Highlighted as a noteworthy emerging artist by The Hollywood Reporter, the multi-instrumentalist also plays guitar, piano, lap steel, organ, mellotron, and bass throughout the project.
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LA-based Australian producer Hayden James shares his third studio album, We Could Be Love. Showcasing James' songwriting and producing range, the album traverses euphoric pop dance anthems to deep club tracks, collaborating with Izzy Bizu, Karen Harding, SHELLS, AR/CO, Kormak and more. James' music has soundtracked moments with friends around the world for the past decade, garnering over half a billion streams, with his newest offering, We Could Be Love is set to do the same. Available on milky clear vinyl.
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Grammy-nominated rock band Bones UK are back with their highly anticipated new album, Soft.
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Some band names take on a talismanic quality, revealing mystical depths the musicians may never have intended. For Gardens & Villa, the name became downright prophetic. The quartet of Chris Lynch, Adam Rasmussen, Shane McKillop, and Dustin Ineman, took their moniker from Villa Avenue, where they first shared a home - and a garden - in Santa Barbara, California. Now, a decade and a half later, the band is set to release their fifth album, Ultra Terrestrial, on September 13 2024. The record finds Gardens & Villa returning to the roots of their namesake, highlighting the expansive growth they've weathered, and the familial bonds they've forged over their 15 years together.
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Julie

My Anti-Aircraft Friend

Vinyl: $27.98 UNAVAILABLE
Vinyl LP pressing.
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Keshi

Requiem

Vinyl: $25.99 Buy

Requiem is the stunning new album from Keshi. Made in Houston, LA, New York, and Tokyo, these 13 songs showcase Keshi's incredible skills as a writer, producer and performer, and fulfil his vision to make an album that is made to be performed in arenas.
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