Music Releases 03-22-24
All My Friends [Opaque Yellow LP, Alternate Cover Image, Autographed Insert]
Gary Clark Jr.’s forthcoming album entitled JPEG RAW, his fourth studio release,
marks a grand step in his musical evolution…. A powerful and expansive artistic statement.
While retaining the deep and true resonance of his blues foundations and guitar virtuosity with subtlety yet conviction, he reaches well beyond this time.
The emphasis here is on song and studio craft without losing the rawness of his young legend. (Rolling Stone Magazine called him, The Chosen One).
The music is dense and adventurous with a more cohesive synthesis of his eclectic musical palette. Hip samples, Thelonious Monk and Sonny Boy Williamson decorate flourishes of African, World Music, even Jazz while merging with blues , rock, R&B and rap; familiar areas he has ventured before, this time with more unity forging a fresh new style. Clark’s lyrics are pointed, deeply personal, outspoken and socially conscious with occasional forays into rap and spoken word from Clark himself. The sonics are immersive verging on modern groove-oriented psychedelia with hip-hop driven beats in verses giving way to anthemic choruses, rich with power-chording and wide fuzz riffage.
Songs like “Maktub”, “JPEG RAW”, “This Is Who We Are”, “Hyperwave” and the epic 10-minute Habits, break fresh ground defying categorization in the ever corporatized, predictable “alt” music world. The co-written Stevie Wonder duet, “What About The Children” feels like an immediate classic that could have lived on Innervisions or Talking Book if not for Clark’s fuzzed out riff and hip-hop pocket.
Clark has always had swagger and sex in his sound and very dangerous hands when wielding 6 strings. JPEG RAW is all of that and breaks new ground that is both thrilling and inspiring on every level.
Tigers Blood [Indie Exclusive Limited Edition Tigers Blood Clear Red LP]
One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she's never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers's Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen.
And after years of being sober and stable in Kansas City - after years of sacrificing herself to her work and the road - Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse - an ethnologist of the self - forever dedicated to revisiting her wins and losses. But now she's arriving at revelations and she ain't holding them back. Produced by Brad Cook, the album features MJ Lenderman, Phil Cook, and Spencer Tweedy.
“New Blue Sun is the continuation of discovery for me. My entire career has been fueled by this and it is the only thing that keeps me honest. This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I’m here for it.” — Andre 3000
This limited edition 3-LP vinyl is pressed on 180g black vinyl with fold out poster, printed inner sleeves and note from the artist.
“I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful,” explains Samantha Poulter, the Berlin-based DJ and producer, who grew up in the Sydney suburbs and better known to fans as Logic1000. That vitality and renewed sense of purpose is captured on her debut album Mother. The 12-track set is a laser-focused “love letter to house music,” written in collaboration with her husband and long-time creative partner Thom McAlister.
All Now emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
Alphaville, German Film Orchestra Babelsberg, and Andreas Köhler
A Night At The Philharmonie Berlin [2CD/DVD]
CD: $23.98 Buy
Alphaville's greatest hits from their 40-year band history. Live from the Berlin Philharmonic Hall with the German Film Orchestra Babelsberg. Now as an exclusive package on DVD and double CD.
Alphaville & the German Film Orchestra Babelsberg present "A Night at the Philharmonie Berlin" - The greatest hits of the band live with a symphony orchestra! Available from October 13, 2023, as DVD + 2 CD edition. Experience Alphaville's legendary 80s anthems like "Big in Japan," "Sounds like a Melody," and "Forever Young" in an impressive live recording from the Berlin Philharmonie. Marian Gold leads through a captivating show that presents the band history of Alphaville over the last 40 years in a unique way. Enter the world of sound that quickly blurs the boundaries between synthesizer sound and symphony orchestra - an unforgettable sound experience that combines Marian Gold's extraordinary vocal abilities and the majestically powerful facet of the German Film Orchestra Babelsberg.
These tracks are critical and unrelenting, conveying their message amidst an auditory assault of crushing distortion, that adds a palpable weight to the material. ‘Feel Worse’ represents anger as a great motivator, there’s a purging within fury of its delivery. USA Nails astutely scold the culture of divisive, toxic political rhetoric, and working people being turned on each other as a distraction tactic. In the last few years, USA Nails have toured with Sub-Pop’s Metz and UK noise-rock legends Mclusky. They have completed numerous US and European headline stints, as well as supporting the likes of Future Of The Left, Mission Of Burma, No Age, Cocaine Piss, Viagra Boys, Hey Colossus and Unsane.
"Recent years brought about for Julia Holter an existential focus on human connection, amid the staggering change that came with the death of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity, and awe of this confluence of experience. She calls the music “sensual,” “flowing,” and “nocturnal”--a testament to how love, with all of its challenges, “reroutes neural pathways.” The cover art by Holter’s childhood friend, artist Christina Quarles, highlights the multiplicity of intimate connection: are the figures embracing or in battle?
The title Something in the Room She Moves came to Holter spontaneously as she was naming the Logic project file for an early demo. Coincidentally, a few months later, she found herself mesmerized by the eight-hour cinéma-vérité Beatles documentary Get Back in 2021. Her titular phrase flips the gaze of the Beatles lyrics (“Something in the way she moves…”); the woman is no longer passively observed, but actively augmenting space. Holter has loved the Beatles since childhood, but sees the title less as a tribute than as a semi-surreal bit of automatic writing from her subconscious.
After a string of dream pop albums that established her searching voice in independent music—from 2012 breakthrough Ekstasis to Loud City Song and Have You in My Wilderness—Holter released the thrillingly experimental Aviary in 2018. Since then, she has scored films like Never Rarely Sometimes Always, performed a commissioned live score for The Passion of Joan of Arc with the Chorus of Opera North, and collaborated with her partner, Tashi Wada, who plays on her new album. Something in the Room She Moves is a remarkable progression in Holter’s oeuvre, synthesizing her free, improvisatory energy with her signature eloquence."
Found Money is the new collaboration between looming luminary LXVNDR and long term veteran Tachichi, both highlights of the Halifax hip hop scene. The album is an eclectic mix of sounds, including throwback boom bap, slow jams, horrorcore, club bangers, and even a touch of reggae. LXVNDR and Tachichi bring along Jay’Mila, Paollo, Cee!!!!!!!!!, and Ghettosocks to share in the dope bars and flow flexing. Found Money is a hot, hit-heavy album that will reward repeat plays.
Murder By Death -- Original Motion Picture Soundtrack [Limited Edition Translucent Clear LP]
Vinyl: $25.98 Buy
Plunge is Sam Evian's 4th studio album, and the debut on his new imprint Flying Cloud Recordings/Thirty Tigers set for release on March 22, 2024. Joined by his closest friends and collaborators (including Liam Kazar, Sean Mullins, El Kempner of Palehound and Adrianne Lenker of Big Thief), the album was tracked live to tape in the early winter months of 2023 over a 10-day period at his quaint Flying Cloud Recording studio tucked away in the Catskills Mountains. With a wide-open recording approach, the result is Evian’s best album to date: a cathartic rock record that melds power pop, iridescent guitar, raucous psychedelia, and Sam’s now sought-after grooves. The music is both fresh and familiar, sonically inspired by his penchant for early 70s production and creatively propelled by the free-spirited process depicted in the Beatles documentary Get Back, as well as his urge to let go. ““No-one knew the songs or what the plan was. We kept it loose and fun. This was the spirit of the sessions. No headphones, no playback, minimal overdubs, or bleed. Fast and loose” Evian remarks.
Lyrically, Plunge is heavier than previous records, touching on themes surrounding his family, from unearthing past traumas, to celebrating his parents’ creative influence on his life. “Relationships stalling, failing, coming back together,” says Evian. It is an album about love. It’s an homage to true love finding its way home, even if it takes a bit of a beating along the way.
Alice in Chains’ acclaimed Jar of Flies is being reissued in celebration of its 30th anniversary. The EP made history as the first of its format to debut at No. 1 on the Billboard 200 in its first week of sales. Hit tracks like "No Excuses," "I Stay Away," and "Nutshell", extended the group's popularity.